A Quote by Elvis Costello

You do have to be a bit careful with your voice. It is an instrument. — © Elvis Costello
You do have to be a bit careful with your voice. It is an instrument.
Your voice is not your instrument. Your voice is the character that you build, your innermost feelings, the things that you want to say, and your instrument is the vehicle that you use to carry the message.
I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
Today, maturity is a word I associate with spirituality. It's one of those words that cause people to change their voice. When your voice gets higher because of what you're saying, there's a problem. To me, the conflict of life is part of the joy of life. There's got to be a recognition of the friction that exists. Maturity seems somehow about getting careful. I don't want to be careful.
I like to use my voice as an instrument and just play along with the music. That's really how I tend to my voice. The content usually comes after or during that process of just trying to be an instrument.
When you're acting on camera, you don't really think of your voice. You think of the whole instrument - your body, your look, and whatever you have to do. But when you're doing the voiceover, you're thinking only of your voice. You really can't compare the two different mediums.
I try not to talk during the day when I have a show that night. My voice is my instrument, just like a saxophonist's instrument is his saxophone, plus also his voice, if he's the one between tunes that makes announcements.
Over the years, I was lucky; right from the beginning, I studied with a lady who had a lot of... she was a classical singer, and of course, they're a little bit more into, you know, preserving the voice, making sure your instrument is ready to perform.
The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
The voice gets to the soul of a person more than any other instrument. Because it's the voice. It sings talks, it cries, it laughs, it squeals, it barks, it shouts it whispers, There is no other instrument that can do that. We're born with it.
I've always been obsessed with the grain of the human voice. It's the ultimate instrument, there's this whole level of virtuosity and poetry, a sort of athleticism, of controlling your voice.
Voice acting is very different from live-action. You only have one tool to convey emotion. You can't sell a line with a look. It's all about your vocal instrument. Doing voice work is also great because you don't have to get your hair done, which I despise.
One of the most challenging aspects of writing a memoir is finding your own voice, and you should be very careful about being influenced by someone else's voice.
The voice will guide you-will tell you what to do. In order to do that, you must be quite sensitive with the instrument and accept this daily conversation with your voice.
I took vocal lessons for the first time and actually learned a lot about using my voice as an instrument as opposed to just doing what I've always done and going by feeling. I'm still doing that, but I've learned a lot of tricks and how to manipulate and play with my voice a little bit.
I want to make the music that's not there anymore. I'm so passionate about the singing voice... What I'm trying to do actually with my album is show that it's my voice that's leading. It's my voice that's the instrument.
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