A Quote by Elvis Costello

Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me. — © Elvis Costello
Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.
Sometimes I write notes that I have difficulty singing. And you start talking yourself out of the bold melody and start wanting to arrange it in another key or something. Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.
We listen too much to the telephone and we listen too little to nature. The wind is one of my sounds. A lonely sound, perhaps, but soothing. Everybody should have his personal sounds to listen for-sounds that will make him exhilarated and alive, or quiet and calm... As a matter of fact, one of the greatest sounds of them all-and to me it is a sound-is utter, complete silence.
My personal relationship with music is an imperfect harmony because I never studied music, but here I am not just writing for bands but full orchestral sections and doing all this composition, and I never learned the right way of doing things so I have a lot of dissonant sounds and things that are brought to my attention, and generally I leave them that way because I like those imperfections.
My therapist says that I choose women that I couldn't possibly succeed in a relationship with because I really want to be alone. Which sounds complicated and convoluted to me, but I don't know. Maybe she's right. There's a part of me that wants that.
I got to a happier point and then started making a record [Wild Things]. I don't mind at all that it sounds like LA, because LA was integral to me feeling better. Seeing the sunshine and all that other sorts of stuff was definitely a huge part in why the album sounds like it sounds.
I usually speak with all my drummers so that I write my songs with them in mind, and we'll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology, I can play all kinds of sounds - double bass and stuff.
I'm pretty much fully digital. I've basically spent a few painstaking days putting sounds into my laptop, just banking them, because I love playing, and I love visually seeing it on my screen and being able to change the sounds more, with different plug-ins. I've created my own synth sounds.
I listen to the group Disclosure; they have great sounds. Maybe not as adventurous as Skrillex. I think the key thing is to have those beautiful sounds... the amazing sounds of Skrillex are almost phenomenal.
I feel like these sounds are the ultimate kind of free sounds, the ultimate public domain sounds. And I feel like people put them in completely different contexts, and they mean something different to everybody.
Also in Norah Jones, now there's a voice that sounds and I don't mean disrespect but sounds a hundred years old that sounds incredibly experienced. It's just an exciting time.
The reason I play so many sounds, maybe it sounds angry, is because I'm trying so many things at one time, you see? I haven't sorted them out. I have a whole bag of things that I'm trying to work through and get the one essential.
I love that tension between machine sounds and organic sounds, and also the contrast between abrasive sounds and soft sounds.
I need your help," says the tiny figure. Her voice is sad and soft and sounds like Lila's, but with an odd accent that might just be how cats sound when they talk.
How can you just leave me standing? Alone in a world that's so cold? (So cold) Maybe I'm just too demanding, Maybe I'm just like my father too bold.Maybe you're just like my mother She's never satisfied (She's never satisfied) Why do we scream at each other? This is what it sounds like when doves cry.
I just got a new dog, so I was worried that he'd hate the fireworks, and he did, but just because he's not a patriot, not because of the loud sounds. The loud sounds he's fine with - he just hates America.
Maybe a part of me recognized how right the improvising spirit of jazz is. Not the sounds, but the freedom to work with musicians who work that way. It felt very natural to me, but I think there's a way to do it without it being a jazz record.
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