A Quote by Elvis Costello

Sometimes I write notes that I have difficulty singing. — © Elvis Costello
Sometimes I write notes that I have difficulty singing.
Sometimes I write notes that I have difficulty singing. And you start talking yourself out of the bold melody and start wanting to arrange it in another key or something. Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.
I just write notes all day on my phone, and when I write songs it becomes a patchwork of these smaller notes that I had, mixed with stuff in the moment.
I definitely take notes, but I feel like sometimes if I take too many notes, it kind of bogs down my mind a little bit. So, I just write down stuff that I need to remember for the game.
I keep a journal and just kind of take notes. I don't really so much sit down and write songs - I just take a lot of notes, and sometimes I sit down and put them all together.
I always want to pick songs that are really crazy rangy, and sometimes those low notes aren't there. But I started taking it way more seriously after a certain point, and I started doing vocal warm-ups every day, even when I wasn't singing, sometimes twice a day.
I was a kind of angsty teenager and I would write diaries and write stuff down all the time. Sometimes I get to the level on stage where I'm singing and it feels heavy, but not always.
The accidents of my life have given me the ability to make stories in which different parts of the world are brought together, sometimes harmoniously, sometimes in conflict, and sometimes both - usually both. The difficulty in these stories is that if you write about everywhere you can end up writing about nowhere.
Sometimes, so much of the difficulty is the question of 'What am I going to write about?' because the world is so vast.
Sometimes I'll ask the book writer to write a monologue, not to be performed, just as if they were notes for the character.
I've tried to write songs for other people and it usually requires them singing it and then changing the phrasing. I can put a lot of words in a song, and one of the reasons is, I'm not that good of a singer, so I don't hold a lot of notes.
I only make notes, I don't write dialogues in full. And the notes are very much based on my knowledge of person.
I’ll write down little lines, I always say, 'K.T.N.,' and I say that to my receivers and running backs and that means 'keep taking notes.' That keeps me alert. That keeps me going. That keeps my drive there, even when you’re taking notes on something that you’ve already taken notes on a million times - keep taking notes.
The ballet embodies the notes of music. And sometimes you almost feel like you can see the notes dance up there on the stage.
When I'm singing at the piano and I'm having a really nice fun day singing, if I have a headache, the headache will immediately dissipate just the notes going through my head.
Like how stars might sound. Or moons But not mountains. Too floaty for mountains. It's a sound like one planet singing to another, high stretched and full of different voices starting at different notes and sloping down to other different notes but all weaving together in a rope of sound that's sad but not sad and slow but not slow and all singing one word. One word.
Sometimes a musical imagination is as important as singing itself, you know, the voice, what you do vocally, the vowels. So there's a percussiveness that can sometimes be quite energizing and useful in singing as an expressive device.
This site uses cookies to ensure you get the best experience. More info...
Got it!