A Quote by Elvis Duran

I have no deep desire to hit the pavement and audition for TV projects or raise money to produce a show. — © Elvis Duran
I have no deep desire to hit the pavement and audition for TV projects or raise money to produce a show.
The first audition I went out on was because my father was on an audition for a TV show called the 'Gilmore Girls,' and that kind of snowballed a lot of stuff in my life.
I used to say when I was working in the theater that if I ever had five seasons of a hit TV show I'd never have to worry about money and wouldn't have to do anything I didn't want to do.
Early on, I joined that large group of show business cadets who were 'multi-hyphenates,' 'independents,' 'self produced' or 'alternately financed.' Sometimes, most times, I've had to do it all: raise the money, write the script, produce, direct and act in the film.
Raise as little as you can to get you to something that you can show - plus maybe a quarter or two so you have a little bit of cushion - and then raise some more money. Raise as little - not as much - as you can because that's the most expensive equity you're going to sell.
I'm proud of everything I achieved with 'Idol,' and away from 'Idol' also. It's just such a different show now to what it was when I was on it. I didn't even know it was a TV show until the third audition.
I still think have this deep desire for our Himalayan Trust - that we raise the necessary funds, that we do all the things that the Sherpas want us to do, and I would like to see us working together with them on these projects. Even though I'm old and decrepit I still have this strong feeling that I would like to carry these things out if it were still possible.
It's so hard to raise money for independent films and the fact of the matter is that the bigger my star or whatever is, as a result of doing bigger pictures, the easier it is for me to get money for my own projects.
As movies and TV projects come up, they go out to the agents, and we just go out and audition for them.
As movies and TV projects come up, they go out to the agents and we just go out and audition for them.
If you want to run for the United States Senate, you hire a consultant who will do polling for you, who will tell you the kinds of television ads you should run, who will tell you that most of the money you raise has got to go into TV. Raising money, and then putting that money into the hands of consultants, who then put on TV ads - that's more or less what campaigns are about. We've got to change that.
Neil and I share a desire for great quality in our work. If we are offered projects, look at projects, or consider projects that don't have that quality, then we don't do them.
I have a hit TV show.
I started in theater when I was 14 in the Henry Street Playhouse on the Lower East Side in New York. You hustle, you beat the sidewalk, the pavement - audition, audition. I just started working around town everywhere. I mean everywhere - the Village, Harlem, you know. Brooklyn Academy Of Music. Just job after job.
I had a lot of fun [on The Voice] and I learned a whole lot about reality TV, for one, and how they kind of use the artists as characters to make a hit TV show.
It's a whole series of accidents that makes a show into a hit. A show can be fantastic and still not be a hit. You just have to hit the Zeitgeist at the right moment, and there are so many factors that you're not in control of.
TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'
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