A Quote by Elvis Duran

At 14, I began working in radio. I ran the board at a little radio station in Dallas. — © Elvis Duran
At 14, I began working in radio. I ran the board at a little radio station in Dallas.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
Every time I meet people working in radio, I'm a little embarrassed. It's all pre-programmed, rigidly formatted stuff. Time and time again, when I talk to jocks, they say how jealous they are of the freedom we have on WKRP. I sometimes have to explain to them that it's not a real radio station.
When I started in radio, I worked for free. I lived at the radio station. Then I worked for very little money.
My local radio station, WHOC, Philadelphia, Mississippi - '1490 on your radio dial, a thousand watts of pure pleasure' - it was a beautiful station. And I loved everything I heard. But it was country music that touched my heart.
Every time I went on the radio, I would take the crummiest radio station, the station that was like a toilet bowl. I would go on there and build up the ratings, so you couldn't do any worse.
When I was growing up, I could tell you everything about the three radio stations in Nashville. My 12- and 14-year-olds can't tell me one radio station here but can tell me three on Sirius.
It's one thing when you're driving to go play at a radio station and you hear it on that station. It's another thing when you're just out in the middle of nowhere, and the song just comes on the radio, and you're like "Oh my God!"
When I was on the radio, I used to be able to go a lot farther than I can now. You don't really remember until you're on the radio again, sometimes in your old radio station and sitting with the guys you used to work with and you go, 'Oh yeah, I can't say these things anymore. I'm handcuffed.'
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
My mother had a radio show - a Barbara Walters type of gal and was very successful for about 20-some years on a radio station.
If I weren't playing baseball, I would be a radio or sports broadcaster. In college at South Carolina I did some stuff with the radio station and really liked it.
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
If you really want a radio station to play your song, go to that radio station every day with that song in your hand and say, 'Please play it.'
Voiceover work reminds me of old-time radio. When I was little I used to sneak and stay up at night and listen to Mystery Radio Theater - I loved all those old radio plays.
For people starting public radio shows, one of the things you have to do is you have to talk every single public radio station into picking you up.
I turn on the radio. I'm a really big fan of old-fashioned dial radio. I love WNYC and NPR and also 88.3 in New York, which is the jazz station, and it's usually good for background music. If I'm not in New York City or by a traditional radio, I'll stream it on my phone, although I usually try not to look at my phone first thing in the morning.
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