A Quote by Elvis Mitchell
A little of the sketch character Pootie Tang went a long way on HBO's now late, probably soon to be lamented 'Chris Rock Show.' So it's surprising how much fun the character's film debut, 'Pootie Tang,' is.
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'Pootie Tang' may be raw and slovenly - hey, it often is raw and slovenly - but it succeeds as a laugh getter because of the spot-on satirical notes. You might say that the movie walks it like it talks it; I'm not sure what Pootie would say.
It's not even race; it's a certain type of person that gets 'Pootie Tang.'
It's not even race; it's a certain type of person that gets 'Pootie Tang.
What makes 'Pootie Tang' the motion picture enjoyable is its no-brow ambitions; it's a joke action film. It slides through enough African-American pop culture signifiers to raise laughs out of those who will appreciate the references; it revels in more cheese per square inch than a soul food diner.
One of the best things Gwyneth Paltrow has done in years was her mesmerized, good-sport cameo in a 'Pootie' sketch, when she was melted over him like butter on an English muffin.
The Japanese have become so smitten with the Western condiment - its texture as silky as a kimono, its tang as understated as the tang of Zen - that today they have a word for mayonnaise junkie: mayora.
I grew up listening to a lot of Snoop Dogg and the Wu-Tang Clan. Actually, I was a huge Wu-Tang fan.
I think what is nice about 'Elf,' and why it doesn't play as one long sketch, is that the character actually grows up during the course of the film. It's not just a character that you can keep checking in on and keep doing sketches about. It's a story. I'm pretty proud of how we told it.
I could never be a control freak. If Wu-Tang is a dictatorship, how does every Wu-Tang member have their own contract, their own career, and have put out more albums without me than they've done with me?
Education is the tool. Even if we haven't directly instructed a session, I think Wu-Tang has been an instructor of education to anyone who has been a fan, anyone who has supported our movement, whether its been from buying a Wu-Tang CD or coming to see a show.
I worked with HBO on 'Recount,' and we had a wonderful experience together. I'm such a fan of HBO and how much flexibility they give in character as well as schedule.
Wu-Tang was going through it. They didn't come from great homes or families. They really came from hard beginnings so it just made me reflect on my own situation. If Wu-Tang was able to make it, why can't I?
When Wu-Tang came, Wu-Tang was for that era, right there. When Dre had it in the West Coast, it was for that time. Biggie and them, it was for that time.
To me, Wu-Tang is beyond Wu-Tang Clan... It's just like, hip-hop is beyond Grandmaster Flash, but Grandmaster Flash was one of the first guys to hit those turntables like that. The same thing with Wu-Tang. You'll see the difference in hip-hop from the moment we came in to before we came in. We changed it. We changed the whole structure.
When you shoot a film, you have very little time to waste, and I try to go into the character as soon as possible and stay there as much as I can.
The most successful hyperpowers are the ones where there was actual intermixing. Tang dynasty China was Chinas golden age, and contrary to what I was told when I was growing up, Tang China was founded by a man who by todays standards was no more than half Chinese. It was a mixed-blood dynasty that pulled in "barbarians" from the steppe.
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