A Quote by Elvis Mitchell

'Black Hawk Down' has such distinctive visual aplomb that its jingoism starts to feel like part of its atmosphere. — © Elvis Mitchell
'Black Hawk Down' has such distinctive visual aplomb that its jingoism starts to feel like part of its atmosphere.
I feel like Black Milk has found his way of putting his life into his music. I feel like, lyrically, he is a beast; a lot of people sleep on Black Milk. Black Milk is a monster. He from church. He from the street. He get down how I get down. He's a soulful cat, and I love how he get down.
I'm an Englishman who did a film on Mogadishu, 'Black Hawk Down.'
The film Black Hawk Down paints the Somali people as wild savages.
The film 'Black Hawk Down' paints the Somali people as wild savages.
Here is how it is for women. We become our schedules. That starts to feel good. Then it starts to feel necessary. Then it starts to feel like everything.
Sometimes I feel like doing smaller budget stuff. When I did 'Young Adam', for instance, I'd come out of 'Black Hawk Down' and 'The Island', and I really wanted to be on a small film set. I wanted to be on something intimate and small again, and then 'Young Adam' cropped up in a pile of scripts I was sent.
Kim Coates is my best friend. I met Coatsy in 2001 in Morocco while working on 'Black Hawk Down.'
I grew up as an artist. Science fiction allows for design and creatures and guns and all the stuff that I like as well. So I think most of the films I make, I'm sure, will be in that category. But I can also see myself making a film like 'Black Hawk Down,' and I could also totally do horror.
'Black Hawk Down' wants to be about something, and in the midst of the meticulously staged gunfire, the picture seems to choose futility arbitrarily.
I do feel that both visual artists and writers look out at the world in a similar way, and wonder at what they see. They want to record the visual world in their own, distinctive ways. We could call it "attention to detail," which also makes a good carpenter, for instance. To be what Emerson called the "transparent eyeball" (which is a phrase that makes me a little queasy) is a noble quest, I feel. It's a quest for honesty, and as Frost put it, a momentary stay against confusion. If I had more talent and courage, I would still love to be a painter.
There is a distinct layer between the Earth and the universe, which is extremely black. Slowly, the entire universe starts to look 3D, like you can fly through it rather than this sphere of blackness overhead. And when you're above the atmosphere, there isn't water vapour in the air to make things foggy.
Every baseball crowd, like every theatre audience, has its own distinctive attitude and atmosphere.
On 'Black Hawk Down,' I was employing 1,000 Muslims. 'Kingdom of Heaven,' same deal except bigger, probably 1,500 Muslims.
Mom had the kind of love for her that you could feel, like it was part of the atmosphere
I think probably the scaredest I've ever been was in Somalia. I arrived there when the episode that became known as 'Black Hawk Down' was still taking place. The Americans were still pinned down under fire. And everybody else was basically going the other way, and I was the only one putting my hand up for a flight in.
The life of an Indian is like the wings of the air. That is why you notice the hawk knows how to get his prey. The Indian is like that. The hawk swoops down on its prey, so does the Indian. In his lament he is like an animal. For instance, the coyote is sly, so is the Indian. The eagle is the same. That is why the Indian is always feathered up, he is a relative to the wings of the air.
This site uses cookies to ensure you get the best experience. More info...
Got it!