A Quote by Elvis Mitchell
'Ali' is a breakthrough for its director, Michael Mann. The film, based on the life of Muhammad Ali, is Mr. Mann's first movie with feeling; his overwhelming love of its subject will turn audiences into exuberant, thrilled fight crowds.
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'Infernal Affairs' uses a vibrating terseness usually found in the writer and director Michael Mann's work. Thematically, this film deploys the techniques Mr. Mann brought to bear on 'Heat,' right down to using a similar cold-blooded electronic score.
I'm a great fan of Michael Mann and when he asked to see me I couldn't believe it. I was very happy. I met him and I read this beautiful script. I didn't know anything about Dillinger. I fell in love with the movie and Michael Mann.
Tony Scott, Walter Hill, Michael Mann - I'm a big action fan, full stop. And even though Michael Mann is the more celebrated film-maker than Tony Scott, I love them both in different ways.
Muhammad Ali was my idol, and I always say, if Muhammad Ali had told me the exact same thing my mother, the principal, the security guard, my brothers... you know, the same thing they were telling me that I didn't listen to, I would have listened, just because it came from Muhammad Ali.
Muhammad Ali was a god, an idol and an icon. He was boxing. Any kid that had the opportunity to talk to Ali, to get advice from Muhammad Ali, was privileged. He's always given me time to ask questions, although I was so in awe that I didn't ask questions.
I was like, 'Prince, prince. Prince Ali. People know that from 'Aladdin.' I'm a big fan of Muhammad Ali. I can't be Muhammad Ali. I'm looking up royal - Mustafa. Mustafa's a royal name. Prince Mustafa, OK fine.' Prince Mustafa Ali came from that, and it's an easier name for people to remember, too: Prince Ali.
Muhammad Ali inside the ring and Muhammad Ali outside the ring were totally different men; his abrasive, magnetic daring and infectious self-love outside the ring galvanized the world and distracted many from his sniper's precision. He was a heavyweight with the fluttering gracefulness of a middleweight.
My personal relationship with Ali began in 1988, when we met in New York to explore the possibility of my writing the book that ultimately became 'Muhammad Ali: His Life and Times.'
Aschenbach is not only a projection of Mann in the obvious ways - same daily routines, author of the works Mann had planned - nor even in sharing his author's aspirations, doubts, and sexual identity. His watchword, "Durchhalten!" [persevere, keep going] could be Mann's own.
If you say, 'I don't care if Muhammad Ali was a Muslim or not; he was just great,' what you're really saying is, 'I don't care about Muhammad Ali.' Same with Prince being black.
What's it like finding out Denzel Washington wants you to direct his next movie? It's like getting a phone call from Muhammad Ali or Michael Jordan saying they want you to coach them.
I started boxing because of my brother. And then I came to admire the all-time greats, like Roberto Duran and Muhammad Ali. I'd say I admired Ali more than any fighter in my life.
I still can’t believe [ Muhammad Ali ] knows my name. It astounds me he knows who I am. I first met Ali in 1976. I was locked up in a juvenile home and he came to visit. I’ve never forgotten it.
Presenting Aschenbach as a composer - based on Mahler - leads to some dreadful scenes (especially those in which Aschenbach is berated by his student), and it surely distorts the character Mann created. Yet, we know that Mann's novella was based on a holiday in Venice he took with his wife and brother, and that while he was there he followed the reports in the German newspapers, describing the dying Mahler's progress as he returned from New York to Vienna.
Muhammad Ali - he was a magnificent fighter and he was an icon... Every head must bow, every knee must bend, every tongue must confess, thou art the greatest, the greatest of all time, Muhammad, Muhammad Ali.
He sells, he knows how to talk, he's smart, he's no fool. McGregor doesn't fight, he just reacts, he's never first to throw a punch. He goes in there to tease, not to fight. He's like Muhammad Ali.
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