A Quote by Elvis Mitchell
The documentary 'Certifiably Jonathan' has engrossing moments in it. How can it not? It's got a great subject - the extraordinarily voluble comedian Jonathan Winters, whose constant rush of words can be like a blizzard: beautiful, maddening, exhausting, and finally beautiful again. But it's not a great film.
Related Quotes
I'm a huge fan of Jonathan Winters. He's influenced everyone who's ever done improvisational comedy. You look to Jonathan Winters for inspiration. He paved the way. If you've ever made up something on the spot and made somebody laugh, you can credit Jonathan Winters with inspiration.
I'm a huge fan of Jonathan Winters. He's influenced everyone who's ever done improvisational comedy. You look to Jonathan Winters for inspiration. He paved the way.
When you watch Robin Williams, you can see a lot of Jonathan Winters. Robin is the first one to admit that; he worshiped Jonathan Winters.
'Certifiably Jonathan' contrives crises for its subject - a bid to get his paintings into MOMA, among others.
A movie I must have seen 10 times is 'Jonathan Livingston Seagull.' It's an old movie, but still such a beautiful message. If I had only one film I could take on my computer on a desert island, I would take 'Jonathan Livingston Seagull.'
I liked Jonathan Winters for his character development.
When you live in Brooklyn, if you throw a rock, you'll hit a writer - Jonathan Safran Foer, Jonathan Lethem, Paul Auster.
After years of begging, I got my parents to get me a little Craig tape recorder, a reel to reel. Then I started recording voices, or recording Jonathan Winters off television and stuff like that.
One of my greatest inspirations for stand-up was Jonathan Winters. He was a genius. One thing about him, and also Lenny Bruce, is that they were in the tradition of the one-man show. That's why Richard Pryor was so great, and George Carlin, too. They prowled the stage, they used voices, they were really talents.
Wonderful songwriting, beautiful production, and deeply rooted in what makes American Roots Music great: Deep Southern Pain. It's the hurt that brings the songs, and it's the songs that heal the hurt. Jonathan's songs bring us there, and back. Check this record out, it's a good 'un.
Jonathan Kreisberg is a great musician whose playing and writing always tell a story. His formidable technique and intellect never get in the way, but only serve the agenda of the heart.
Everything was a constant battle. My first film was beautiful. I got an amazing cast. That worked out great. Everything else was like murphy's law. Everything that could go wrong, did go wrong.
When I used to watch vaudevillian impressionists, people like Rich Little or Frank Gorshin, I always felt like the voice was the only point. I didn't want to do that. I wanted to be of the Robin Williams or Jonathan Winters model, where observation and storytelling was important.
Jonathan Livingston Seagull . . . was no ordinary bird. Most gulls don't bother
to learn more than the simplest facts of flight how to get from shore to food and back again. For most gulls, it is not flying that matters, but eating. For this
gull, though, it was not eating that mattered, but flight. More than anything else,
Jonathan Livingston Seagull loved to fly.
Freddie [Highmore] is great in the movie [August Rush]. It comes out this Fall and I play a young cellist, a prodigy, who is touring and doing concerts. She's very young and has a one-night fling with an Irish rocker, played Jonathan Rhys Meyers, who is also a really talented musician.
When I heard Jonathan [Cole's agent] repeat the figure of £55k-a-week, I nearly swerved off the road. 'He is taking the p**s, Jonathan!' I yelled down the phone. I was so incensed. I was trembling with anger. I couldn't believe what I'd heard.
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