A Quote by Elvis Mitchell

When a director shifts gears as often as does Alejandro Gonzalez Inarritu, the man behind the emotionally rich debut film 'Amores Perros,' you may wonder if he knows what he wants.
In order to do 'Amores Perros,' I had to skip some time at drama school, so the director Alejandro Gonzalez Inarritu came up with a great Latin American solution, which was to say I had a tropical disease and had to stay in Mexico for a while. Everyone believed me.
I'm a huge fan of the director, Alejandro González Iñárritu, and his work, and I knew he was going to be an amazing actor's director, based on the performances that I saw in his movies.
Spending time with Mexican-born writer and director Alejandro Gonzalez Inarritu, you'd never guess that he's the filmmaker behind a series of movies known as the 'Death Trilogy.' The way he dotes on his children and talks about his wife makes it clear that he has a crackling passion for life.
[Alejandro González Iñárritu] went from Birdman to this - these are incredible ledges that he's stepping out on in making these films [The Revenant]. I think his only threat for best director is Room, to be honest.
I met Alejandro Gonzalez Inarritu years ago during my college days, and I was in charge of international promotion of this movie festival he was invited to as part of the jury, and then he saw my work on a short film that was directed by a friend of mine.
I have a real thing for Mexican directors. And I love Guillermo del Toro and Alejandro Gonzalez Inarritu.
'Birdman' is a very risky movie. I knew I wanted to do it just from watching Alejandro's other work. I told a friend, 'I would have done it based on 'Amores Perros' alone.'
I want to work with Darren Aronofsky, Damien Chazelle, Alejandro Gonzalez Inarritu and, of course, Majid Majidi.
Alexander Gonzalez Inarritu is a great director. He's the one I first worked with. He's amazing.
I feel like the only person who has a chance against Alejandro González Iñárritu is Lenny Abrahamson. [The Room] was very awkward, very odd, very uncomfortable as it should have been. And then it became very beautiful. It tugged all the emotional chords beautifully.
In his very first film, Mr. Gonzalez Inarritu makes the kind of journey some directors don't - or can't - travel in an entire career.
'Amores Perros' is three stories that interconnect in one moment, which is the car accident.
There are a lot of directors I'd still love to work with. Paul Thomas Anderson is someone I'd love to work with. I think Alejandro Gonzalez Inarritu is very talented. Ang Lee is very talented. I mean, there are a lot of people. There are many great directors out there.
'Amores Perros' is rock, '21 Grams' is jazz, 'Babel' is an opera, and 'Biutiful' is a requiem.
Amores Perros" and "Once Were Warriors" had a tremendous visceral quality that really influenced me.
I love crosscut parallel storytelling, like we did in Blue Valentine. I love how Alejandro González Iñárritu has done it, and Quentin Tarantino, and Francis Ford Coppola, and all the way back to D.W. Griffith - this parallel editing is an effective way to tell stories. It's like juggling, like keeping a lot of balls in the air and seeing how they come down.
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