A Quote by Elvis Mitchell
With his compulsively slamming lyrics and king-of-the-world delivery, DMX intuitively echoes the existentialism of the projects of the novelist Donald Goines.
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I've read every one of Donald Goines' books. So as soon as I heard there was an opportunity for one of his novels to be turned into a movie, I jumped at the opportunity.
Trump uses the phrase 'America First,' only dimly aware that he is repeating a phrase from the interwar years and indifferent to its historic resonances. But he compulsively echoes that period - another time when leaders described the world in apocalyptic terms.
Most people read poetry listening for echoes because the echoes are familiar to them. They wade through it the way a boy wades through water, feeling with his toes for the bottom: The echoes are the bottom.
'Never Die Alone' is primarily a riveting genre film that neatly exhibits the director's growing assurance - Donald Goines would be proud.
Christians are God's delivery people, through whom he does his giving to a needy world. We are conduits of God's grace to others. Our eternal investment portfolio should be full of the most strategic kingdom-building projects to which we can disburse God's funds.
I know my brother can steer his own ship. He's the captain of his own ship, and how he moves and how he do things. He's a king in his world, I'm a king in my world. We're two lions with a big mane. We've been in this world of boxing for a long time.
I'm just tired of everything…even of the echoes. There is nothing in my life but echoes…echoes of lost hopes and dreams and joys. They're beautiful and mocking.
I told Wayne to his face he was the dopest MC out. MC, not rapper. I told him to his face because I believe that, Wayne is nice! Wayne is bananas with his lyrics, with his whole delivery, with his whole thing. Lil Wayne is the man!
The whole world is in revolt. Soon there will be only five Kings left--the King of England, the King of Spades, The King of Clubs, the King of Hearts, and the King of Diamonds.
Naturally a direct comparison of terrorist and novelist is complete nonsense. But there was once a time when the novelist also had some influence on how his contemporaries thought, the way they saw the world, the way they lived.
Folk music usually has an emphasis on the lyrics and melody. And those lyrics are usually relevant in some way. And it's populist in scope, which is also true of Bad Religion. So it's more meant to draw some parallels between the two. And I think even my voice and my delivery can be thought of as a little bit folky.
I don't even know if I always entirely get what I'm trying to say right away with lyrics. I like a lot of things that are more subtext. I grew up mishearing lyrics my whole life, but somehow there's so much more, too, that's implied in vocal delivery and the music itself and the gestural quality of it.
I grew up Catholic, so I have these defenses about listening to anything with too much religiosity; some of the lyrics didn't sit well in my mouth. One of my beefs is the patriarchal setup. Having the 'he, he, he, God, God, God, king, king, king' stuff was hard for me.
It's pretty clear I am a diehard Chris Cornell fan, so his voice, musicianship, and lyrics have touched me across many different projects.
Existentialism does not offer to the reader the consolations of an abstract evasion: existentialism proposes no evasion. On the contrary, its ethics is experienced in the truth of life, and it then appears as the only proposition of salvation which one can address to men.
Pretty much any given day, barring some major distraction, I get melodies coming to me. Lyrics don't come quite as easily. So I've been inventing little projects and challenges to sort of kick my ass with the lyrics.
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