A Quote by Elvis Mitchell

The title 'Spirited Away' could refer to what Disney has done on a corporate level to the revered Japanese animation director Hayao Miyazaki's epic and marvelous new anime fantasy.
I took a lot of influences from Studio Ghibli, which is the Japanese animation studio that made 'Spirited Away' and 'Castle in the Sky.' They're like the Japanese version of Disney - but without all the schmaltz.
I'd forgotten I'd done the anime called Spirited Away, the English version of a Japanese film.
The problem is that every time people have deviated from the Disney playbook in hand-drawn animation, they've done so with staff that are nowhere near Disney-level talent or Disney-level budgets.
If you've seen 'Spirited Away', 'Spirited Away' is set in a very, very Japanese sensibility. And so, to Japanese audiences, when Sen would walk up, the main character, and look at this big building with a flag on it with Japanese writing on it, everyone in Japan would know what that is.
The picture is being promoted as Disney's 'Spirited Away,' although seeing just 10 minutes of this English version of a hugely popular Japanese film will quickly disabuse any discerning viewer of the notion that it is a Disney creation.
You look at Japan and Hayao Miyazaki's films are the biggest films ever made in Japan; domestically there and they play to critical acclaim around the world. He won't put more then 5 or 10 percent computer imagery in his movies. It's disappointing to me. It's a silly choice that some studios made to move out of animation. It's part of the unfortuneate preconception that I think the public has going into see animation.
I'm a huge Hayao Miyazaki fan. He might be my favorite director of all time - the beauty that he sees in the world and the attention to detail. I try and focus on that while making music: trying to use as many real instruments as possible, have it feel as tactile and tangible as possible.
I do enjoy a bit of the fantasy world that anime provides, but at the same time, I need the reality in it. I'm very much a stickler about the actual animation. I'm not into the cutesy, stereotypical animation with big eyes and a small chin. That annoys the hell out of me.
Look what Disney's done to their animation department. There wasn't an animator in charge of their animation unit!
I so love the animation process. Interesting, everything that I do in animation, the kind of crafting and skills of storytelling, totally work within the structure of the Disney nature films. In a weird way, I like to think that animation is like painting, and Disney nature is like sculpting. Animation you start with a blank canvas and you paint. With Disney nature, you start with a big block of imagery and you hone it down into your final story. Somewhere you end up with something kind of pretty to watch.
I was always really fascinated with animation, but just in a way all kids are with watching Disney movies and all that, but I had no idea how animation was done.
The line between anime and regular animation is very difficult to cross, even for people who have been doing anime successfully for years.
I love the work of Hayao Miyazaki. 'My Neighbor Totoro' and 'Castle in the Sky' are two of the great films that he's made that I just love.
The films by Mamoru Hosoda or Hayao Miyazaki show things that can't be expressed by people. When I watch people acting, I end up analysing too much and it breaks the mood.
Miyazaki has a great talent, but I really struggle every time I create a new film and am far from Miyazaki.
I do enjoy animated movies. I really love anime and movies like 'Spirited Away' and 'Howl's Moving Castle.'
This site uses cookies to ensure you get the best experience. More info...
Got it!