A Quote by Elvis Mitchell

The Ebert thing just didn't work out. We just couldn't, like, come to an agreement. And 'Movieline', they obviously didn't want me, because they fired me. — © Elvis Mitchell
The Ebert thing just didn't work out. We just couldn't, like, come to an agreement. And 'Movieline', they obviously didn't want me, because they fired me.
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends. That sometimes is the only bad thing, is that I work with bands that I already know. That's not really the best thing in the world because I should always be keeping my eyes out on other things.
John Kricfalusi wanted me to quit the job when he got fired in 1992. But the problem there is that I wasn't his partner. I was a hired gun. And then people badmouth me for 10 years, like a rock in my shoe in that camp. It's a very small but active group of posters, as I've come to find out. But the thing is that I finally got to the point where, "Okay, I get you, I get it you don't like that I did what I did." But the thing was, the whole story was cockeyed. They said I put everybody out of work. No, I didn't. Everybody was going to be out of work if I didn't continue the Ren & Stimpy show.
If your ex is making things up about you, he's obviously miserable. It's just like, 'Wow, this person really cares to go out of their way to start a rumor about me.' I've dealt with it so much, obviously. The first couple of times, it really sucks. But then [they] just come out with something else. If you dwell on it, it's going to make you miserable. Just move on and laugh it off.
The best piece of advice I ever received about being a writer came from my brother Lee. I was just starting out and he told me that if I wanted to have a long career, I had to be versatile, that I shouldn't just think of myself in one way, because there would come a time when maybe that one thing wasn't working out for me - and I'd still want to earn a living as a writer.
I get that some people just want to do work and keep their lives private. I think for me, it just felt like I needed to be open about who I am. It just felt like the right thing for me to do.
The oddest thing to me has been when people come up to me, and they don't say anything, and they just put their arms around me and hug and kiss me. They don't even say hello! They just freak out like they've seen a unicorn.
I was offered a job at the Cincinnati Post as their editorial cartoonist in a trial six month arrangement. The agreement was that they could fire me or I could quit with no questions asked if things didn't work out during the first few months. Sure enough, things didn't work out, and they fired me, no questions asked.
I just always really wanted to swim. It was always a family thing: dad obviously swam, and my sister did, too. And mum used to come along to meets. They had to drag me out of the pool - so there was never any pressure on me to swim. It was just something I loved doing.
I feel like somebody who just is very understanding is my biggest thing - timing is a major issue for me - but also funny! Obviously I want someone really cute and fun and fresh for good Instagram pictures and that just makes me really happy.
I think reviewers have become particularly venomous because, in a way, the power has been sucked from them. A 15-year-old can write a review on the Internet and it means as much as Roger Ebert's review, and that just makes Roger Ebert mad, so he comes out harder and stronger.
As much as I try to be present, it just doesn't really feel like reality. It feels like a fleeting thing. There's a million other incredibly wonderful girls that are much more talented than me that are out there all the time. So I'm just trying to appreciate it for what it is. But I don't want it to take on that feeling of pressure, because I don't know where that's gonna get me.
I stand up, sure of one thing and one thing only. That my father will come and get me. He won't give me a lecture, he won't try to teach me a lesson. He won't ask a thousand questions or ask me to apologize. He'll just come and get me. "Just tell me where you are.
I think also, obviously, having someone like Lucas [Goodman], and the people around me are very, not gender-driven or any of that, so when we come in as thing, that's what it is. You can work with us or not work with us and I think that has been helpful. I don't try to put myself in a vulnerable position in that way. I won't just sit quietly.
I used to work in TV and quit the job because I couldn't do it any more. I quite like taking my time over a film, five years is how long it takes me to work something out. And when you just do quick turnover, turnaround, I'm literally this is driving me mad, I want to find another living. I'll just have to find a creative way to tell the story.
When I usually go to my studio to work, I start with something that is going to take two minutes just to put some idea down and the next thing I know, ten hours have gone by and my family is screaming at me because they want me to come up to have dinner with them.
I like all types of women. I accept them as they are when they come into my life... But I'm not a romantic. I'm just up-front. I like to be a part of something real, not make-believe. I tell women to tell me the truth, to just lay it out. Let me be the judge and decide if I want you around or not. Let me have my choice.
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