A Quote by Elvis Mitchell

A lot of the time, you see all this ambition from these black actors, and it's just pouring off the screen. Because they don't often get a chance to work, and when they do, they don't usually get a chance to work with other black people.
Ellen [Page] and I had only met a couple of times, but had mutual admiration for each other's work. When I first heard about the film [Into the Forest], I was excited to get a chance to work with one of my peers because it's usually one or the other. You don't get to work with all of the other actors that you're usually competing with.
A lot of times, we talk about black people as if being black is all they are. They get up, go to work... and are as complex and interesting and variable as any other group of people. We don't often capture that or write about it.
If you've as many films as I have, and missed as many opportunities as I have to do good work and been pissed off about it, you say, "Well, now you've got to start getting it right." If you get a chance, you really want to cook. And the tragedy is, when you finally feel that way about yourself, about your work, nobody wants to give you a chance. And that happens to a lot of actors. But I'm feeling very wanted these days, so there must be something in the air.
One of the challenges of being a director is often you don't get to work with your peers. You know, writers can write together, and as a director you get to work with so many wonderful actors and writers and designers. But it's pretty rare that you get a chance to partner in that way with another director.
Actors, when they're older, still get a chance to let off steam or something and work things off on stage.
I want authenticity. And rarely do actors - more specifically, black actors - get a chance to be authentic on film and television.
I got a chance to work with Judi Dench in almost every scene. How many Indian actors get that chance?
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
I wanted to make sure the focus [in The Land] was on human beings themselves and their decisions, but still connected to the urban environment that people associate as being black. I think I was able to make a film without commenting on "black this or black that" and you still feel the presence of it. There's no one character who's saying "we're all black and we're all in this struggle." It's that you just feel it. Some of that is because we get the sense from a lot of independent films that black people struggle all the time.
Any time I get a chance to work with artists that make me inspired and learn new stuff about music - every chance I get, I'll take.
I don't have a lot of time for television because I am making it, so it's really hard for me to sit down. But when I do get a chance, I try to catch up on 'Scandal,' 'Empire' and 'black-ish.'
You don't often get a chance to record with the other actors who are playing the characters, mainly due to the fact that you don't have to, the actors' schedules are all over the place, and it's difficult to get everyone in the same room.
Black History Month is dedicated to heroes that paved the way for Black people. It's a month that's very imperative because it gives those who lack the knowledge of our heroes a chance to gain insight. It's not just about the month, it's about the years that it took for us to get to this one month and it's beyond placing a value on how much Black History Month really means to me.
The boxing promotion part is really interesting, because I got the chance to do something with my sons. They carry their own weight, and I get a chance to listen to them and see what they have on their minds. I don't have to hand out things to do, and now they have things for me to do. It's an amazing privilege to get the opportunity to work with your children.
Black is beautiful when it is a slum kid studying to enter college, when it is a man learning new skills for a new job, or a slum mother battling to give her kids a chance for a better life. But white is beautiful, too, when it helps change society to make our system work for black people also. White is ugly when it oppresses blacks-and so is black ugly when black people exploit other blacks. No race has a monopoly on vice or virtue, and the worth of an individual is not related to the color of his skin.
We do have a black president, and that means a lot. People ask, 'What has he done?' What he's done is change the color up, which you see on the screen. When the head of the free world is black, there's got to be some sort of spin-off from it.
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