A Quote by Elvis Presley
Then came Act II, you seemed to change and acted strange, and why I'll never know.
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I've always thought of acting as a tool to change society. I watch a lot of actors and I see panic in their eyes because they don't know why they act and I know why I act. Whether I'm a good or a bad actor, I know why I do it.
I approach my life with logic. I do not act on impulse or emotion. I very seldom find that I say, 'And then I can't think what came over me, but I did this or that or the other.' I nearly always know how I will act and I nearly always act in that way. I don't catch myself out in embarrassing situations because I've acted without forethought. I calculate what I will do.
When you meet someone you love, then you change for good. That’s why the other person will never know or understand the earlier you, and why you can never change back. And why, when that person starts to go, you’ll feel the tear deep in your heart long before your head has the slightest clue what’s going on.
The term "incorporeal" is properly applied only to the void, which cannot act or be acted on. Since the soul can act and be acted upon, it is corporeal.
You can't say you're an actor if you've never acted, and you can't act if no one gives you an opportunity, but they won't give you an opportunity because you've never acted. You're like, 'What in the world? Someone give me a chance!'
I asked my mother, 'Why shouldn't I act?' She said, 'Nobody in the family has acted, so why should you?'
It never seemed like that much of a mystery why shows I was acted in failed. When you're doing a show called Freaks And Geeks about young people in high school, and it's on Saturday nights at 8 and there's no promotion for it, it's not really hard to guess why no one's watching it. And when you're doing a college goofball comedy that premières three weeks after Sept. 11, it's not that hard to piece together why that's not the most important thing on the radar.
Guys act strange around me. I swear I don't know why!
There are bits at the table read that destroy, so much so that we can't wait to do it in taping. And then, no reaction. And then there are times when I can't get the right read on a line in rehearsal, and then the audience howls at it. The strange thing is I still don't know why it happens like that. It's not like afterwards I think, 'Now I know why that worked!'
You know, all is development. The principle is perpetually going on. First, there was nothing, then there was something; then-I forget the next-I think there were shells, then fishes; then we came-let me see-did we come next? Never mind that; we came at last. And at the next change there will be something very superior to us-something with wings. Ah! That's it: we were fishes, and I believe we shall be crows.
Even then, I didn't quite know what to make of it [captain Kirk death]. I was mystified by why I was doing it, why I was so driven to do it, and why it was affecting me like it was. I still don't know what it means. It's a strange singular experience. I don't even know anyone to talk to about it because I don't know anyone who's had that experience.
When I look at my earlier work, I often wonder why I acted like that, why I wore that dress, why I said that dialogue... Why couldn't I do it better? I realized I was too young then and not confident.
I liked it. I liked her. And every time I saw her, she seemed more beautiful. She just seemed to glow. I'm not talking like a hundred-watt bulb; she just had this warmth to her. Maybe it came from climbing that tree. Maybe it came from singing to chickens. Maybe it came from whacking at two-by-fours and dreaming about perpetual motion. I don't know. All I know is that compared to her, Shelly and Miranda seemed so...ordinary.
When it comes to my interpersonal relationships with men, of course, a lifetime of abuse vastly affected everything I did. I always came from a place of abuse, actually wanting, welcoming, and accepting it because that was my language. It never seemed strange to me.
So sweet love seemed that April morn, when first we kissed beside the thorn, so strangely sweet, it was not strange we thought that love could never change.
So sweet love seemed that April morn. When first we kissed beside the thorn, So strangely sweet, it was not strange We thought that love could never change.
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