A Quote by Elvis Presley

Man, that record came out and was real big in Memphis. They started playing it, and it got real big. Don't know why-the lyrics had no meaning. — © Elvis Presley
Man, that record came out and was real big in Memphis. They started playing it, and it got real big. Don't know why-the lyrics had no meaning.
That was the big thing when I was growing up, singing on the radio. The extent of my dream was to sing on the radio station in Memphis. Even when I got out of the Air Force in 1954, I came right back to Memphis and started knocking on doors at the radio station.
That's something - you laugh about Eminem... It's funny, man, because I didn't like him when he first came out, ya know. It seemed like a big joke. But I think the guy's for real, and I like his lyrics!
The lyrics came out of necessity. When we started writing the record, we started in a more fusion environment and that got boring really quick and that wasn't what we were about on an organic level.
One thing that fiction does is it allows us to take big picture questions, big issues, big moral and socio-political changes and see how they play out on real people's lives, with real individuals.
Real respects real, so if you can get Memphis to love you, you have to have something real there. Memphis doesn't just support anybody.
I was afraid of the sophomore slump even before our first record came out. It was a very real fear because I'd watched so many bands I'd loved in the past not deliver. I knew it was a very real thing. I didn't know why it happens, but I'd been thinking about it a lot.
You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just had to have that on it.
You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just had to have that on it.
One day, it hit me that music is my calling. I just started playing and writing music. How, I don't know. I just started doing it, and then this big voice came out of my mouth. And it felt like I was releasing something.
'Shooting Star' started out as the arrangement on the record, and it's developed into a real audience-participation song, just from playing it.
I've always been entranced when it came to musical comedy; it's probably my favorite thing. It's a real true American form, and it's big, like Shakespeare big, when it's right. It's loud, and it's big: you have to be ready vocally and physically. It can bring people to their feet and can be as thrilling as a circus.
I had a period when I was sixteen where I started to get a big head. I was going through puberty, and I was nominated for an Academy Award. My head got inflated. My friends were the real ones who said, 'You're acting different.' But the truth is that I don't need that, because I don't get out of hand.
You weren't afraid of me when I was Wolf," he said. "Why are you afraid of Nathan?" "He's got big feet!" "What?" An insulted-sounding arrroooo came from the other side of the door, a reminder that Wolves also had big ears.
You still remember the bad rounds here, but they don't stay with you as long. The Champions Tour is great, it's competitive and it's a wonderful show, but it's not the real big league. The real big league is the PGA Tour, and we all know that.
If you look at the big rock hits I've had - 'High on Emotion,' for example - the songs I write have to have a real meaning. There has to be depth.
I was a real big fan of Lil Wayne when he first came out.
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