A Quote by Emeli Sande
I wanted to find a way to speak for people. It was important for me, because so many people spoke for me when I was a kid and made me feel less invisible, and I wanted kids or whoever is listening to my music not to feel so voiceless.
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When I was a kid, I read books that made me laugh but also made me shiver in terror. I wanted to make books that made other people feel the same way.
I remember listening to the radio as a kid and finding that the songs always made me feel more peaceful. Funny, but the more hurtin' the music was, the better it made me feel. I think of that now when I write my songs. I may not be feelin' the blues myself, but I'm writing them for other people who have a hard life.
And you've actually watched it yourself?' I asked. 'Willingly?' Sure. I had to see it, you know? Besides we should be safe. Only one in twenty viewers actually had a bad reaction. And it was mostly kids who were affected. I mean younger than you guys. I think the average age was about ten.' That made me feel somewhat better. But that was a kid's show,' said Jen. 'Maybe it affects everyone, but not that many adults were watching.' That made me feel less better. I wanted my protective bangs back.
As Erykah Badu, it has nothing to do with me, the way I look, my hair wrap, my style, it's about you and what you feel for my music. If I can make you feel like the way that people who influenced me made me feel, that's completion.
...whatever I ended up doing with my life,I wanted to people feel the way this music was making me feel.
I'm a big hip-hop fan since being a kid. It was the first music that spoke to me and made me feel like, 'Yeah.'
When I found out how music made me feel and how my singing made other people feel, that's when I decided this is what I wanted to do.
Because I don’t feel broken when you look at me. (Acheron) How could you feel broken? (Tory) I was shattered as a child and thrown away, like a piece of trash no on wanted. But you don’t treat me like that. You see in me the human bit and you touch that part of me. You make me feel whole and wanted. (Acheron)
I started to understand how important it was for me to make my own name pretty early on after years of noticing people treating me a certain way because of who my dad was. Some people wanted to be friends, others wanted to test me because I was Chris Eubank's son - inside schools, outside of school, on the streets.
Creating emotion was what my career was all about. I wanted people to laugh at me; I wanted people to cry with me. I wanted people to feel good or to think about something when they watched me. I think that's why, even not being an Olympic champion, I have such a huge following around the world.
I wanted to make somebody feel like Coltrane made me feel, listening to it.
I never wanted to be called a fan, and that's no disrespect to any artist who calls them fans, but I never wanted a boundary in between the people listening to my music and me - for them to feel like I'm doing something that they can't do.
When I was a kid - 10, 11, 12, 13 - the thing I wanted most in the world was a best friend. I wanted to be important to people; to have people that understood me. I wanted to just be close to somebody.
One of the reasons I wanted to teach deaf children was because it made me very sad that they spoke so clumsily and that they moved with less grace that I knew was possible of deaf people.
I think going away and disappearing for a couple of years - or a few years, or whatever - definitely changed the way I look at songwriting. It made me feel more free, it made me feel more like I could just write what I wanted to write about. I wanted to write more observational songs.
I wanted all the music to sound strong. It's all down to the restoration and mastering. In many ways I feel the work in general was never properly mastered in the first place. To me, making the music sound the way we wanted it was by far my biggest goal with the re-issues.
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