A Quote by Emeli Sande
I'm not too bothered about what category my music goes in and there's no point in limiting in who you can reach, but I want it to be respected.
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I want to be someone who is respected and not just in terms of my music. I want to be respected in terms of the way that I treat people... Music is my creative outlet in terms of expressing what is important to me; what has importance, what has a value. And I wanna be respected for that.
I'm thrilled that country music fans like my stuff, but so do a lot of people outside of country music, people who just love music. My goal is more to reach music lovers than to appeal to a genre. I love country music, and I'm proud to represent it, but I don't obsess over it as a category.
It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.
Inevitably any series that goes on too long will reach a point where it starts struggling for ideas, so I've always been really aware of getting out while the going's good.
I want to reach the point where people hear my name and immediately think of real country music.
I got suspended from school once, and my dad came to the school and whooped me in front of everyone. I didn't want that to happen again, didn't want to be embarrassed like that. The guys that I ran with, they respected that and respected my dad too.
The thing that makes me want to write a piece of music is having something to talk about, you know? Something I want to get across. Because I'm a composer, music is my first language, and that's what I reach for when I want to convey something.
The loner may be respected, but he is always resented by his colleagues, for he seems to be passing a critical judgment on them, when he may be simply making a limiting statement about himself.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
I want to be just a musician and songwriter, and hopefully known as a very good one. I love a lot of music that's considered folk music, but I also love a lot of music that's considered punk or considered rap. I don't mind being called a folk singer. But it seems a bit limiting. I want to be able to write whatever kind of song I want.
I don't want to be in the public eye so much that you reach the point where everyone has an opinion about you.
I'm called a folk singer, and I'm not too sure about that. I went about my life approaching music not from the point of view of a singer, but from the point of view of an actor. That's how I first started to sing.
There is still the feeling that women's writing is a lesser class of writing, that what goes on in the nursery or the bedroom is not as important as what goes on in the battlefield, that what women know about is a less category of knowledge.
I love a lot of music that's considered folk music, but I also love a lot of music that's considered punk or considered rap. I don't mind being called a folk singer. But it seems a bit limiting. I want to be able to write whatever kind of song I want.
What's holding me up is I'm confused about the nature of the music. Because the modern music doesn't reach me. I mean to say the sound of the modern electric production. A lot of sequencers... synths. That's what people are buying. Because that doesn't reach me, it throws me back to like 1948, but I don't want to be there. Back there, I'm talking about blues records... The roots of rock'n'roll is rhythm and blues and that's like really where I'm at, where I was always at.
Hip-hop is limiting itself and that also goes for editorially. Magazines and websites are the gatekeepers of what people think hip-hop is, but they actually end up limiting what hip-hop can be.
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