A Quote by Emeli Sande
I feel like 'Next To Me' is a great introduction because it's a simple song that has a simple message for me. I wanted to introduce something that lyrically I'm proud of and introduces me both as an artist and as a writer.
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I think the simple message of that song is what attracted me to 'Every Day.' It's one of those simple yet profound lyrics.
Charity work shouldn't be bragged about. It's just something you're supposed to do...I do it because I feel like that's what God wanted me to do. It's as simple as that.
When I wrote a song, it would have to be from something I was really excited about, or a melody that's been haunting me for weeks, or a message I wanted to convey lyrically. So it would have to start from something I felt very strongly about.
I've had failures, don't get me wrong, but it wasn't beneath me to pick up the phone and introduce myself to Bernard Malamud and say, "I'd like to introduce myself to you and to come meet you. I think I might have something that's worthy of your skills as a writer."
I've always wanted something that the message is meaningful to me. I think about all these diversified personalities, people, and countries that I play. I'm simple, and I want to be able to sing my songs to anybody.
As an artist, i feel lucky to have been given the gift of creativity so that i may share my vision of a better world. I will never forget what it was like to be poor and that is why it is so important to me that my work be accessible to all people. For me, art can reflect the celebration of the simple and good things in life. This is the most important to me.
I heard Skip James, and it pierced me. It felt like punk rock to me, real and raw. It was just one guitar, so simple yet so much expression. I wanted to feel and express like that, to take the shortest path to get to an emotion.
Because I don’t feel broken when you look at me. (Acheron) How could you feel broken? (Tory) I was shattered as a child and thrown away, like a piece of trash no on wanted. But you don’t treat me like that. You see in me the human bit and you touch that part of me. You make me feel whole and wanted. (Acheron)
Every day somebody comes up to me and says, 'That song really helped me through a difficult time,' or 'That's me and my wife's song' or 'This song means something to me because of... ' It's humbling to hear that. You're something special in someone's life, even if it is for three minutes.
I think that the song, the song "Stand By Me" is one of those songs that... and someone asked me, what was you thinking about or what was you feeling about? It's something that, songwriters just write songs. It's like an artist that paints. They paint what they feel. It's not, it's not about how many of these painting I'll sell it's just how they feel at the moment. And that's how I wrote "Stand By Me".
My message is simple to all the knockers: I am knuckling down and want to play my football with a great club and a great manager. Then you can judge me.
When I write something simple I'm always really proud of it. When you write something that simple with that much air in it and the whole premise behind it is something pretty obvious - that everybody wants to be happy and free - the song is sort of an exercise in not forgetting that's what you really want and what you really need. We can get caught up in a lot of other stuff.
If depression has taught me one thing, it is this: what a rare and beautiful treasure is the simple human gift of joy. For me now, joy - our capacity to delight in one another and in the world - is the reason why we are here. It is as simple as that. And I feel compelled to spread the word.
I am convinced that each work of art, be it a great work of genius or something very small, has its own life, and it will come to the artist, the composer or the writer or the painter, and
say, "Here I am: compose me; or write me; or paint me"; and the job of the artist is to serve the work.
Let me tell you something: I'm a simple person who lives a simple life.
I started playing bass in my friend's band for some reason. It was just something I did because, well, he asked me if I wanted to play bass and he played me this song - Nirvana's version of "Molly's Lips", the Vaselines song - and he said, "You can do this! This is not hard!" and it's like a two-note song. I learned that and then I thought I was a genius.
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