A Quote by Emil Cioran

Speech and silence. We feel safer with a madman who talks than with one who cannot open his mouth. — © Emil Cioran
Speech and silence. We feel safer with a madman who talks than with one who cannot open his mouth.
It is not that the Englishman can't feel-it is that he is afraid to feel. He has been taught at his public school that feeling is bad form. He must not express great joy or sorrow, or even open his mouth too wide when he talks-his pipe might fall out if he did.
Silence is safer than speech.
Silence is never-ending speech. Vocal speech obstructs the other speech of silence. In silence one is in intimate contact with the surroundings. Language is only a medium for communicating one's thoughts to another. Silence is ever speaking.
You are solidified silence, awareness. A thousand hours of speech cannot equal one glance: a hundred glances cannot equal a minute of silence
The mark of solitude is silence, as speech is the mark of community. Silence and speech have the same inner correspondence and difference as do solitude and community. One does not exist without the other. Right speech comes out of silence, and right silence comes out of speech.
To write is to make oneself the echo of what cannot cease speaking - and since it cannot, in order to become its echo I have, in a way, to silence it. I bring to this incessant speech the decisiveness, the authority of my own silence.
Conversation was never begun at once, nor in a hurried manner. No one was quick with a question, no matter how important, and no one was pressed for an answer. A pause giving time for thought was the truly courteous way of beginning and conducting a conversation. Silence was meaningful with the Lakota, and his granting a space of silence to the speech-maker and his own moment of silence before talking was done in the practice of true politeness and regard for the rule that, "thought comes before speech."
Since Don Quixote de la Mancha is a crazy fool and a madman, and since Sancho Panza, his squire, knows it, yet, for all that, serves and follows him, and hangs on these empty promises of his, there can be no doubt that he is more of a madman and a fool than his master.
Michael Bisping just speaks to speak; he just talks to talk. He just tries to open his mouth so that something can be heard, but nothing's going to come out.
Under all speech that is good for anything there lies a silence that is better, Silence is deep as Eternity; speech is shallow as Time.
Pipelines are by far the safest way to transport petroleum. They are safer than tankers, safer than trucks, safer than rail.
An artist, if he's unselfish and passionate, is always a living protest. Just to open his mouth is to protest: against conformism, against what is official, public, or national, what everyone else feels comfortable with, so the moment he opens his mouth, an artist is engaged, because opening his mouth is always scandalous.
My poems are more my silence than my speech. Just as music is a kind of quiet. Sounds are needed only to unveil the various layers of silence.
You say, "But He has not answered." He has, He is so near to you that His silence is the answer. His silence is big with terrific meaning that you cannot understand yet, but presently you will.
He (Don Drysdale) talks very well for a guy who's had two fingers in his mouth all his life.
Many things are better for silence than for speech: others are better for speech than for stationery.
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