A Quote by Emil Ludwig

Dictatorship is always merely an aria, never an opera. — © Emil Ludwig
Dictatorship is always merely an aria, never an opera.
I never breathe through the nose, not when I'm singing. In the opera, you don't have so much time. That's fine at the beginning of an opera or after somebody else has been doing an aria, and you want to get a good fresh start.
The aria, after all, is the soul of opera.
Why don't you like Noel Kahn?" Mike's voice made Aria jump. He stood a few feet away from Aria with a carton of orange juice in his hand."He's the man." Aria groaned. "If you like him so much why don't you go out with him?
People, if given the choice between anarchy and dictatorship, will always choose dictatorship because anarchy is the worst dictatorship of all.
If I were an opera singer, I"d have sung you an aria. If I were an artist, I would have painted your portrait. But cooking is what I'm best at.
I sing what I sing. And that's recitals and orchestra concerts. To appease - no, that's not the right word - let's say to satisfy - any opera urgings that my public has, I'll put in an aria.
If you are going to take me a to a musical, you'd better give me three songs that I'm gonna like. Nobody goes to the opera for the recitative. They go for the aria.
I've always loved opera; it never occurred to me that I would write a proper libretto. One of my closest friends is a composer, Paul Moravec, and a few years ago, Paul and I were at lunch, and I said to him, "you really have to write an opera." So, he says very casually to me, "I'll do it if you write the libretto." Well, little did I know that the within a couple of years we would end up getting a commission from the Santa Fe Opera to write an opera together, "The Letter," which turned out to be the most successful commissioned opera in the history of the Santa Fe Opera.
They have been talking about a dictatorship and they were right because there's a dictatorship and there's a government that has been fighting that dictatorship, the dictatorship of the media.
The difference between me and, say, the opera critic is that I'm charged with thinking about the world beyond opera. I could go see 'Die Fledermaus', for instance. I've never done any of this, by the way. I've never written about one opera since I've had this job.
To be consistent with this discourse of lifting up the military dictatorship in Brazil, the dictatorship that extended from 1964 to 1985, Bolsonaro, his whole life, has been uplifting not only the dictatorship itself but also the methods that the dictatorship used to stay in power, including torture.
Dance design is not simply one element; it is that without which ballet cannot exist. As aria is to opera, words to poetry, color to painting, so sequence in steps - their syntax, idiom, vocabulary - are the stuff of stage dancing.
There ought to be an absolute dictatorship... a dictatorship of painters... a dictatorship of one painter... to suppress all those who have betrayed us.
I've always gravitated towards opera, and the Royal Opera House is quite possibly the greatest opera house on earth.
An aria in an opera - Handel's 'Ombra mai fu,' for example - gets along with an incredibly small number of words and ideas and a large amount of variation and repetition. That's the beauty of it. It's not taxing to the listener's intelligence because if you haven't heard it the first time round, it'll come around again.
The truth is, it's a totalitarian dictatorship when you're making films. You are the boss. You can listen to other people, and it can be a benevolent dictatorship, but it's a dictatorship nonetheless. A lot of directors go past their first experience, that's what they've come away with.
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