A Quote by Emile Argand
The volumes, the surfaces, the lines-in one word, the structures that build a tectonic construction-do not represent the whole picture: there is also the movement that animated and still animates these bodies because the history continues and we live under no particular privileged conditions at any given time in this great process.
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I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.
Bodies are real entities. Surfaces and lines are but fictitious entities. A surface without depth, a line without thickness, was never seen by any man; no; nor can any conception be seriously formed of its existence.
It's no wonder we don't defend the land where we live. We don't live here. We live in television programs and movies and books and with celebrities and in heaven and by rules and laws and abstractions created by people far away and we live anywhere and everywhere except in our particular bodies on this particular land at this particular moment in these particular circumstances.
At our company, our Design and Construction Consulting Service Team not only helps eliminate the risks inherent in the construction process, they typically save our clients 5% - 10% on overall construction costs. They also help make sure projects come in on time.
To conjure a particular knowledge you visualize an architectural structure and then you walk around and see the details that then bring back the words or the poetry or the lines of thought. Memory's going extinct because we rely on machines and copies and so on. The idea of working with structures that conjure dreams, personages, history, time, that can be contained in this way as you walk through your mind, is a challenge.
I wouldn't even go into the history of the last days of the Soviet Union, the withdrawal from Europe, and what promises were given at that time, because those were oral promises, and our leaders of that time strongly believe that, like in ancient Russia, a word given is better than any treaty.
It is not the organs-that is, the character and form of the animal's bodily parts-that have given rise to its habits and particular structures. It is the habits and manner of life and the conditions in which its ancestors lived that have in the course of time fashioned its bodily form, its organs and qualities.
Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines.
In less than a century we experienced great movement. The youth movement! The labor movement! The civil rights movement! The peace movement! The solidarity movement! The women's movement! The disability movement! The disarmament movement! The gay rights movement! The environmental movement! Movement! Transformation! Is there any reason to believe we are done?
You have two choices: You can take what you're given or build with what you've got. I choose to build with what I've got and try to make the best of it because I've still been given a stage. I've still got cameras in front of my face when I want them, and I plan to run with it.
I picture heaven as a vast library, with unlimited volumes to read. And paintings and statues to examine galore. I picture it as a great doorway to learning...rather than one great dull answer to all our questions
We still have this prudish, puritanical culture, but we also have so little exposure to a diversity of bodies. Bodies are beautiful and great and compelling.
I would not be like those Authors, who forgive themselves some particular lines for the sake of a whole Poem, and vice versa a whole Poem for the sake of some particular lines. I believe no one qualification is so likely to make a good writer, as the power of rejecting his own thoughts.
In this silence of the white Host, carried in the Monstrance, are all His words; there is His whole life given in offering to the Father for each of us; there is also the glory of the glorified body, which started with the Resurrection, and still continues in Heavenly union.
Wholeness is sort of a dubious concept. Because in terms of the human body and literal wholeness and structures, you think: "here are the structures that help make me whole." Family, or school, or the city I live in. When those structures are dysfunctional or decaying, you end up kind of Frankensteining pieces from everywhere in order to make yourself sated and comfortable and alive.
Yes, gentlemen, give me the map of any country, its configuration, its climate, its waters, its winds, and the whole of its physical geography; give me its natural productions, its flora, its zoology, &c., and I pledge myself to tell you, a priori, what will be the quality of man in history:-not accidentally, but necessarily; not at any particular epoch, but in all; in short, -what idea he is called to represent.
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