A Quote by Emile Gruppe

The painter's appreciation for beauty is more conscious, for he spends his life trying to communicate his feelings to others. — © Emile Gruppe
The painter's appreciation for beauty is more conscious, for he spends his life trying to communicate his feelings to others.
A man spends his whole life trying to prove his worth to others. A woman spends her life trying to prove her worth to herself.
I believe that the unity of man as opposed to other living things derives from the fact that man is the conscious life of himself. Man is conscious of himself, of his future, which is death, of his smallness, of his impotence; he is aware of others as others; man is in nature, subject to its laws even if he transcends it with his thought.
As the years go by, he returns to this invisible world rather than to earth for peace and solace. There also he finds a profound enchantment, although he can seldom describe it. He can discuss it with others of his kind, and because they too know and feel its power they understand. But his attempts to communicate his feelings to his wife or other earthly confidants invariable end in failure.
Everyone in their life has his own particular way of expressing life's purpose - the lawyer his eloquence, the painter his palette, and the man of letters his pen from which the quick words of his story flow. I have my bicycle.
If an artist is one who spends his life trying to define his being, I guess I would have to call myself an artist.
He who lays up treasures on earth spends his life backing away from his treasures. To him, death is loss. He who lays up treasures in heaven looks forward to eternity; he's moving daily toward his treasures. To him, death is gain. He who spends his life moving toward his treasures has reason to rejoice. Are you despairing or rejoicing?
If you meet at dinner a man who has spent his life in educating himself - a rare type in our time ... you rise from table richer, and conscious that a high ideal has for a moment touched and sanctified your days. But Oh! my dear Ernest, to sit next to a man who has spent his life in trying to educate others! What a dreadful experience that is!
His face set in grim determination, Richard slogged ahead, his fingers reaching up to touch the tooth under his shirt. Loneliness, deeper than he had never known, sagged his shoulders. All his friends were lost to him. He knew now that his life was not his own. It belonged to his duty, to his task. He was the Seeker. Nothing more. Nothing less. Not his own man, but a pawn to be used by others. A tool, same as his sword, to help others, that they might have the life he had only glimpsed for a twinkling. He was no different from the dark things in the boundary. A bringer of death.
[On the Barbie doll:] Her values, while somewhat Yuppified, are not so bad. Look at GI Joe. His only wardrobe is fatigues, he spends all his time trying to kill people, or getting his own innards splashed across the landscape. His big hobby is death.
Each individual composes the music of his own life. If he injures another, he brings disharmony. When his sphere is disturbed, he is disturbed himself, and there is a discord in the melody of his life. If he can quicken the feeling of another to joy or to gratitude, by that much he adds to his own life; he becomes himself by that much more alive. Whether conscious of it or not, his thought is affected for the better by the joy or gratitude of another, and his power and vitality increase thereby, and the music of his life grows more in harmony.
Finally, this is one way to reconcile the delight in beauty with the bourgeois life. Aschenbach, on one reading, has spent virtually all of his adult life balancing his restrained homosexuality, which is bound together with his sensitivity to beauty and thus with his artistic vocation, against the demands of conventional society.
When a man has a gift in speaking the truth, brute aggression is no longer his security blanket for approval. He, on the contrary, spends most of his energy trying to tone it down because his very nature is already offensive enough.
The painter makes real to others his innermost feelings about all that he cares for. A secret becomes known to everyone who views the picture through the intensity with which it is felt.
I want it to be more universal than that - like a painter doesn't have to explain his life story away to justify his painting.
Unskilled in sophistry and new to the darker ways of national politics, Grover Cleveland faced his accusers, his slanderers, and his judges, the sovereign people, conscious of the general rectitude of his life, and courageously determined to bear the burdens of his sins in so far as guilt was his.
A man spends the first year of his life learning that he ends at his own skin, and the rest of his life learning that he doesn't.
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