A Quote by Emile Hirsch
On 'Into The Wild' I spent months risking my life and on 'Speed Racer' I spent 60 days acting in front of a green screen. No danger to my physical self, but I sure had to use my imagination.
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I was so grateful to have made 'Into the Wild' before I made 'Speed Racer' because on 'Speed Racer' I was indoors every single day, every single scene, on a green screen. Some of the time, just to pass the time, I would think back to climbing mountains in Alaska. That really helped me.
I now know all shades of the color green, having spent 90 days staring at that green screen. I'll never forget that color, as long as I live.
I think that I've been pigeon-holed by virtue of the fact that I've spent so much time in front of a green screen.
When it comes to acting on green screen, it doesn't really make all that much of a difference to me because how you interact with your environment or characters is always dictated by your imagination. So when you're acting against a green screen, you have more of an opportunity to create your own world. So what was magical throughout this process was watching this movie come to life with the 3D.
The long nights that Pier Giorgio Frassati spent on his knees in front of the Blessed Sacrament had something to do with the long days spent in service of the poor.
For 'The Hotel' I spent one year to find the hotel, I spent three months going through the text and writing it, I spent three months going through the photographs and I spent one day deciding it would be this size and this frame...it's the last thought in the process.
I think I'd rather do [acting] in the real place. It requires different things, working with green screen, but its an imaginative exercise anyway, the whole business of acting, so it just gives you a bit more to feed the imagination. Unless it's really silly, just two of you stuck in a space with nothing but green screen that's got to be pretty difficult.
You have to remember that for more than half my life - probably until my children were born - acting was everything to me. I was obsessed by it, and I spent so much time just trying to get to the point where I was being paid to do it. Literally, I spent every waking moment thinking about acting.
She bought seeds and raided nurseries and mulched and composted and spent full days with her hands full of earth, coaxing life our of the dry, dull grass my father had spent years pushing a mower over.
If I had spent a quarter of the time that I spent manipulating my sexuality in front of a piano instead, I would be the most gifted piano player of my lifetime.
I couldn't believe it! I mean, I'd always dreamed of acting on the screen - my previous background was all theater - but I wasn't sure if the opportunity would ever present itself. Not only was this acting for the screen, this was acting in 'The Hunger Games!' I knew that I had to give this audition my all.
The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.
Acting with a green screen has been physically challenging. I look at the green screen and then I'll look somewhere else and everything looks red. It's a bizarre thing where green has an effect on my vision, but it's fun.
Since 2005, I have not spent much time with my family. In fact I have spent more time at the Taj Landsend in Mumbai. It was my 100th visit recently, which means I have spent more than 400 days in that hotel, and that is a lot more than I have spent with my family.
I spent all day in front of a digital screen, but I'm about to curl up with a book.
I spent 250 to 300 days of every year on the road. But in the end, I felt something was missing. I needed to be anchored so I could concentrate, so in 2000, I established a new methodology - the one I use today. I spent the week in my office and travelled every weekend, even at Christmas.
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