A Quote by Emile M. Cioran

To write books is to have a certain relation with original sin. For what is a book if not a loss of innocence, an act of aggression, a repetition of our Fall? — © Emile M. Cioran
To write books is to have a certain relation with original sin. For what is a book if not a loss of innocence, an act of aggression, a repetition of our Fall?
In the past we believed both sexes were born with original sin. Today, we have come to unconsciously believe in the original sin of boys, but the original innocence of girls.
When virtue is pictured as innocence and innocence equated with childlikeness, the implication is obviously that knowledge and experience are no longer media of goodness, but have become in themselves contaminating. This is a very despairing outlook, in its way as black as Augustine's original sin, for it supposes that original goodness will in all likelihood be defiled...It surrenders the attempt to represent virtue in a mature phase.
An original something, dear maid, you would wish me to write; but how shall I begin? For I'm sure I have not original in me, Excepting Original Sin.
You can't write a book if you've never read a book. And if you've read five books and you try to write a book, your book will mainly encompass the themes and the context of the five books you've read. Now, the more books you read, the more you can bring to a book when you decide to write one. So the more rap I learned, the more I was able to bring to rap when I decided to rap. But this was all subconscious.
There is a value in repetition. When we repeat certain phrases and even actions, like fingering prayer beads, we create a quiet rhythm within our spirits. The beating of our heart is a repetition as is the rhythm of our breathing. All of life has its rhythms, and the repetition of familiar prayers can bring our interior spirits into harmony with the Divine Heartbeat and the breathing of the Divine Christ.
When sins are dear to us we are too prone to slide into them again. The act of repentance itself is often sweetened with the thought that it clears our account for a repetition of the same sin.
Book writing is not a get-rich-quick scheme. Anyone who decides to write a book must expect to invest a lot of time and effort without any guarantee of success. Books do not write themselves and they do not sell themselves. Authors write and promote their books.
I can sing very comfortably from my vantage point because a lot of the music was about a loss of innocence, there's innocence contained in you but there's also innocence in the process of being lost.
The fundamental loss of a desire for God is the heart of original sin.
The story of the Fall always fascinates me as a play ground, but I cannot find any profound meaning in it, because of my 'liberal' view of human nature: I cannot believe in a state of original innocence, still less in a profound meaning in it, and I am always minimising the conception and the extent of Sin and the sinfulness of sex.
I believe in books. And when our people [coughing] - our people of Jerusalem, let's say after the Romans destroyed the temple and the city, all we took is a little book, that's all. Not treasures, we had no treasures. They were ransacked, taken away. But the book - the little book - and this book produced more books, thousands, hundreds of thousands of books, and in the book we found our memory, and our attachment to that memory is what kept us alive.
By deafening ourselves to the emotional consequences of violence we have become confused by its relationship to sex. We have come to believe that violence equals aggression, and we have come to base our model of sexuality on our model of violence... converting an act of aggression into an act of consensual sexuality.
It's harder to confess the sin that no one believes in Than the crime that everyone can appreciate. For the crime is in relation to the law And the sin is in relation to the sinner.
Don't we all look back in longing, those of us who had happy childhoods? Because the greatest loss we ever know is not the loss of family or place or money, it is the loss of innocence. There is forever a hollow place in our hearts once we realize that darkness rings the campfire.
We lost our innocence in the Fall, and our turn to it is through the Redemption which was brought about by Christ's death and by our slow participation in it. Sentimentality is a skipping of this process in its concrete reality and an early arrival at a mock state of innocence, which strongly suggests its opposite.
Original sin is in us like our beard. We are shaved today and look clean; tomorrow our beard has grown again, nor does it cease growing while we remain on earth. In like manner original sin cannot be extirpated from us; it springs up in us as long as we live.
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