A Quote by Emile M. Cioran

What can be said, lacks reality. Only what fails to make its way into words exists and counts. — © Emile M. Cioran
What can be said, lacks reality. Only what fails to make its way into words exists and counts.
Trying," he said at last, "is good. It always is. But failing? Everyone fails, one time or another. It's how you deal with failure that counts, in the end. It's the successes that you're known for-but it's the failures make you what you are.
One accurate way to describe abortion is subtle infanticide. That is: child-killing done in a way that the people don't recognize it as child-killing. That reality is why the word abortion exists. Some words are created to cloak reality the same way procedures are created to cloak reality. "Abortion" is cloaked child-killing
I've always said that to make movies, to make images and sound, is possible by one way or another. And it has not to be ruled by the Pharaohs of Egypt, the Pharaohs from Hollywood or wherever. I have tried very hard to make even a small budget picture here. It always fails. Over a dozen times. And now I know why. It was only because I wanted to be in control of the money. To spend it the way I wanted.
That we do not discover reality but rather invent it is quite shocking for many people. And the shocking part about it - according to the concept of radical constructivism - is that the only thing we can ever know about the real reality (if it even exists) is what it is not. It is only with the collapse of our constructions of reality that we first discover that the world is not the way we imagine.
It has been said that I have three heroes: Christ, Marx and Freud. This is reducing everything to formulae. In truth, my only hero is Reality. If I have chosen to be a filmmaker as well as a writer it is because, rather than expressing reality through those symbols that are words, I have preferred the cinema as a means of expression - to express reality through reality.
Braque always said that the only thing that counts, in painting, is the intention, and it's true. What counts is what one wants to do, and not what one does. That's what's important.
My images were surreal simply in the sense that my vision brought out the fantastic dimension of reality. My only aim was to express reality, for there is nothing more surreal than reality itself. If reality fails to fill us with wonder, it is because we have fallen into the habit of seeing it as ordinary.
The entire political system is contrary to everything a feminine heart stands for. It lacks inclusion. It lacks tenderness toward children. It lacks honor for relationships. It lacks reverence for the earth. It lacks love. And without those things, the feminine psyche disconnects.
Performing in the theater is a very ethereal profession because you do it once and it goes out into the ether and it goes into people's minds and that's the only place that it ever exists. And it never exists truly; it only exists in the way that people think they remember it. But it's a really powerful way to tell a story and to pass something on.
As the astronomer rejoices in new knowledge which compels him to give up the dignity of our globe as the centre, the pride, and even the final cause of the universe, so do those who have escaped from the Christian mythology enjoy their release from the superstition which fails to make them happy, fails to make them good, fails to make them wise, and has become as great an obstacle in the way of progress as the prior mythologies which it took the place of two thousand years ago.
Digital technology, you see, is not the villain here. It simply offers another dimension. I'm not sure if it's a farther remove from reality than analogue. I think if we can speak of reality, if reality and representation can be spoken of in the same sentence, if reality even exists any more, digital is simply another way of encoding that reality.
Reality cannot be photographed or represented. We can only create a new reality. And my dilemma is how to make art out of a reality that most of us would rather ignore. How do you make art when the world is in such a state? My answer has been to make mistakes, but when I can, to choose them. We are all guilt victims choosing mistakes, and as Godard said, the very definition of the human condition is in the mise-en-scéne itself.
You have to understand the separation between what exists in the print media and what exists in reality. It's important to never lose track of reality.
Technology is not an image of the world but a way of operating on reality. The nihilism of technology lies not only in the fact that it is the most perfect expression of the will to power... but also in the fact that it lacks meaning.
The essential and defining characteristic of childhood is not the effortless merging of dream and reality, but only alienation. There are no words for childhood's dark turns and exhalations. A wise child recognizes it and submits to the necessary consequences. A child who counts the cost is a child no longer.
... what is faked [by the computerization of image-making], of course, is not reality, but photographic reality, reality as seen by the camera lens. In other words, what computer graphics have (almost) achieved is not realism, but rather only photorealism - the ability to fake not our perceptual and bodily experience of reality but only its photographic image.
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