A Quote by Emile Zola
It was always the same; other people gave up loving before she did. They got spoilt, or else they went away; in any case, they were partly to blame. Why did it happen so? She herself never changed; when she loved anyone, it was for life. She could not understand desertion; it was something so huge, so monstrous that the notion of it made her little heart break.
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Tessa had begun to tremble. This is what she had always wanted someone to say. What she had always, in the darkest corner of her heart, wanted Will to say. Will, the boy who loved the same books she did, the same poetry she did, who made her laugh even when she was furious. And here he was standing in front of her, telling her he loved the words of her heart, the shape of her soul. Telling her something she had never imagined anyone would ever tell her. Telling her something she would never be told again, not in this way. And not by him. And it did not matter. "It's too late", she said.
She imagined herself both queen and slave, dominatrix and victim. In her imagination she was making love with men of all skin colors--white, black, yellow--with homosexuals and beggars. She was anyone's, and anyone could do anything to her. She had one, two, three orgasms, one after another. She imagined everything she had never imagined before, and she gave herself to all that was most base and most pure.
Yet there were times when he did love her with all the kindness she demanded, and how was she to know what were those times? Alone she raged against his cheerfulness and put herself at the mercy of her own love and longed to be free of it because it made her less than he and dependent on him. But how could she be free of chains she had put upon herself? Her soul was all tempest. The dreams she had once had of her life were dead. She was in prison in the house. And yet who was her jailer except herself?
She realized how many of her beliefs were either unrealistic or belonged to her deceased parents and her ex-husband. She also realized that her expectations for herself and others were sometimes too rigid. She was trying to live up to what everyone else said was best for her, which made her depressed and hard to be around at times. Once she changed her beliefs about herself and others, she began to smile more and enjoy life.
People said things they didn't mean all the time. Everybody else in the world seemed able to factor it in. But not Lena. Why did she believe the things people said? Why did she cling to them so literally? Why did she think she knew people when she clearly didn't? Why did she imagine that the world didn't change, when it did? Maybe she didn't change. She believed what people said and she stayed the same." (Lena, 211)
The doctor's wife wasn't a bad woman. She was sufficiently convinced of her own importance to believe that God actually did watch everything she did and listen to everything she said, and she was too taken up with rooting out the pride she was prone to feeling in her own holiness to notice any other failings she might have had. She was a do-gooder, which means that all the ill she did, she did without realizing it.
And yet, even as she spoke, she knew that she did not wish to come back. not to stay, not to live. She loved the little yellow cottage more than she loved any place on earth. but she was through with it except in her memories.
although she went home that night feeling happier than she had ever been in her short life, she did not confuse the golf course party with a good party, and she did not tell herself she had a pleasant time. it had been, she felt, a dumb event preceded by excellent invitations. what frankie did that was unusual was to imagine herself in control. the drinks, the clothes, the instructions, the food (there had been none), the location, everything. she asked herself: if i were in charge, how could i have done it better?
But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think? Before she knew it was candles, did she think she'd done it herself? With the amazing turns of her hips, and the warmth of the music inside her, did she believe, for even one glorious second, that her passion had arrived?
She stared at herself in the mirror. Her eyes were dark, almost black, filled with pain. She'd let someone do that to her. She'd known all along she felt things too deeply. She became attached. She didn't want a lover who could walk away from her, because she could never do that - love someone completely and survive intact if her left her.
...fact was she knew more about them than she knew about herself, having never had the map to discover what she was like. Could she sing? (Was it nice to hear when she did?) Was she pretty? Was she a good friend? Could she have been a loving mother? A faithful wife? Have I got a sister and does she favor me? If my mother knew me would she like me? (140)
Blaire, This was my grandmother’s. My father’s mother. She came to visit me before she passed away. I have fond memories of her visits and when she passed on she left this ring to me. In her will I was told to give it to the woman who completes me. She said it was given to her by my grandfather who passed away when my dad was just a baby but that she’d never loved another the way she’d loved him. He was her heart. You are mine. This is your something old. I love you, Rush
I did get a nice compliment from Ramona Fradon a few years ago.She was talking about the one and only Plastic Man comic that I inked for her for DC and she said it was the only time that she'd ever had anyone ink her. Everyone else put in their own personality and changed it. In fact, bless her heart, she said if she were still doing Brenda Starr, she'd have me ink it.
So she had to satisfy herself with the idea of love - loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.
Cassandra always hid when she read, though she never quite knew why. It was as if she couldn't shake the guilty suspicion that she was being lazy, that surrendering herself so completely to something so enjoyable must surely be wrong. But surrender she did. Let herself drop through the rabbit hole and into a tale of magic and mystery.
How was it that he haunted her imagination so persistently? What could it be? Why did she care for what he thought, in spite of all her pride in spite of herself? She believed that she could have borne the sense of Almighty displeasure, because He knew all, and could read her penitence, and hear her cries for help in time to come. But Mr.Thornton-why did she tremble, and hide her face in the pillow? What strong feeling had overtaking her at last?
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