A Quote by Emile Zola

One must be arrogant, indeed, to imagine that one can take everything in one's hand and know everything! — © Emile Zola
One must be arrogant, indeed, to imagine that one can take everything in one's hand and know everything!
My story was that I was egotistical, arrogant, and an absolute jerk to everyone who brags about everything - and I will - but I've been very fortunate to take everything and learn from it.
Faith, to be faith, must center around something that is not known. Faith, to be faith, must go beyond that for which there is confirming evidence. Faith, to be faith, must go into the unknown. Faith, to be faith, must walk to the edge of the light, and then a few steps into the darkness. If everything has to be known, if everything has to be explained, if everything has to be certified, then there is no need for faith. Indeed, there is no room for it.
This is the time for us to just let go, to breathe, to come into our hearts, and know everything is in hand, and not to take everything at face value within the illusion as it plays out, because that will accelerate.
As far as cuisine is concerned one must read everything, see everything, hear everything, try everything, observe everything, in order to retain in the end, just a little bit.
Artists cannot be micro-managed. We can take heart that everything we do is different from the last thing we did - or indeed everything that's ever been done. That knowledge is the key to sound mentoring.
You should be convinced of the authenticity of what you have, but you must also be humble enough to say that we don't know everything. And since we don't know everything, we must accept that another person may believe something else.
His main principles were indeed as follows: everything it is possible to imagine can also exist.
It was hard to become an astronaut. Not anywhere near as much physical training as people imagine, but a lot of mental training, a lot of learning. You have to learn everything there is to know about the Space Shuttle and everything you are going to be doing, and everything you need to know if something goes wrong, and then once you have learned it all, you have to practice, practice, practice, practice, practice, practice, practice until everything is second nature, so it's a very, very difficult training, and it takes years.
I define myself by everything that I love, everything I can create, everything that I can imagine.
That is the great fact which you ought to remember. We are the children of the Almighty, we are sparks of the infinite, divine fire. How can we be nothings? We are everything, ready to do everything, we can do everything, and man must do everything.
You know, it's just like being a peddler. You want two breasts? Well, here you are -- two breasts. We must see to it that the man looking at the picture has at hand everything he needs to paint a nude. If you really give him everything he needs -- and the best -- he'll put everything where it belongs, with his own eyes. Each person will make for himself the kind of nude he wants, with the nude that I will have made for him.
Everything I know I imagine everyone else knows as well. And then everything that everyone else knows I imagine they know on top of what I know, so I'm constantly anxious about what everyone else knows.
Since we cannot be universal and know all that is to be known of everything, we ought to know a little about everything. For it is far better to know something about everything than to know all about one thing. This universality is the best. If we can have both, still better; but if we must choose, we ought to choose the former.
This should tell you everything you need to know about guys. They only go after what they know they can get. We girls, on the other hand, aim really high. We take a leap.
Almost religiously, I step away from everything and close my eyes and breathe deeply for a few moments. It helps solidify my focus and aligns everything in my body to take care of the task at hand - which is winning, of course.
I suppose the biggest change to me is this kind of very oversexualizing of everything. Not that anyone wants to take the sex out of rock 'n' roll, you know - that would be ludicrous - but it seems that everything now, it's like the sexuality is the only voice; everything else is gone.
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