A Quote by Emilia Clarke

One of the many things I love about Daenerys from Game of Thrones is she's given me an opportunity to fly the flag for young girls and women, to be more than just somebody's wife and somebody's girlfriend.
There are so many female roles - particularly for young women - that are just somebody's girlfriend or somebody's daughter, or that are accessories to the main story rather than being three-dimensional characters.
As far as celebrity, people don't stop me on the street and know who I am. It's more like, 'Doesn't she remind you of so-and-so's ex-girlfriend?' It's always somebody's ex-girlfriend. Somebody ex-girlfriend who's 'crazy.'
Somebody's girlfriend," she said. "Somebody's sister, somebody's daughter. All these things I never knew I was before, and I still don't really know what I am.
I'm somebody's ex-wife, and I did things that drove him nuts. And now I'm somebody's girlfriend, for many years, and I've got different things that drive him nuts.
I think so many young girls get caught up in the challenge of being with somebody who's dangerous, who's bad, who's enticing, who's all of those things, and you forget what it's like to enjoy simple love.
What is love? When you love somebody then I mean we all want good things to happen to ourselves and keep the bad things at bay. When you love somebody you want that as much for them if not more than you do for yourself.
More often, I'm asked to play somebody's mother, somebody's partner, somebody's wife.
A person who can go out and get 40 is going to get a lot more respect than somebody who goes out and holds somebody to two points. It's just the nature of the game. It doesn't bother me.
My wife is more important to me than anything in the world - including music. She's a great editor and companion for all of my work and she's a great writer herself. If you live with somebody who's smart, they'll affect your thinking more than anything.
The ability to secure an independent livelihood and honorable employ suited to her education and capacities is the only true foundation of the social elevation of woman, even in the very highest classes of society. While she continues to be educated only to be somebody's wife, and is left without any aim in life till that somebody either in love, or in pity, or in selfish regard at last grants her the opportunity, she can never be truly independent.
Feminists bore me to death. I follow my instinct and if that supports young girls in any way, great. But I'd rather they saw it more as a lesson about following their own instincts rather than imitating somebody.
But she was seventeen now and not actually dumb. She knew that you could love somebody more than anything and still not love the person all that much, if you were busy with other things.
I want a future where women and girls get to be the subject of their own sexuality, not the object of somebody else’s. That we are the main characters in our own play, not props in somebody else’s—which is how women’s sexuality is treated now. Whatever the outside attitudes about sexuality it’s always about somebody’s agenda for us, and I want a world where we can have our own.
There are so many huge roles in the theatre: if you've got the option to play Hedda Gabler on stage, why wouldn't you choose that over a three-line part in a Hollywood film as somebody's maid or somebody's wife or somebody's best friend?
I would hit a scene about my mother screaming at me during her breakdown, drunk or using pills, and she'd turn into a monster. Which she wasn't. She was a human: somebody who loved me and somebody with a problem.
For me, if somebody tells me to go away, that is an opportunity for me to give them a better life. And that's an opportunity for me to know and realize where not to be. It's an opportunity for me to see what could be better than being with that person I love.
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