A Quote by Emilia Clarke

A young Brit girl with no theatre experience decided to take on an iconic American role on Broadway. Maybe I should have thought that through? — © Emilia Clarke
A young Brit girl with no theatre experience decided to take on an iconic American role on Broadway. Maybe I should have thought that through?
I think typically you'd start in a supporting role or an ensemble role, or maybe even an off-Broadway role. So to come into a lead role on Broadway, especially taking over a role that has been played by two phenomenal actors in the past, that is some large shoes to fill.
At the beginning, I thought, 'Oh, I can't criticize a singer who's doing a role that I adored... even a role I didn't do.' And then I thought, 'The heck with that! Thirty years of experience... ask the girl who did it!' And I feel that if they're not willing to take what I have to say, that's fine! But I'm going to say it.
There are lots of young vital playwrights who are experimenting, and these are the plays that people who are interested in the theatre should see. They should go off Broadway. They should go to the cafe theatres and see the experiments that are being made.
The myth that young people should leave the nest at 18, never to return, started with iconic American Benjamin Franklin.
It's very hard to just break into movies. I always felt like it would be giving up a theatre career to go and try and be in movies. So, I thought I'd exhaust the theatre thing, go as far as I can, and originate roles, be on Broadway, maybe win some Tony Awards, and then hopefully some door would open. Luckily, it did.
Maybe for others it was difficult to find a role that suited my type. But I never thought of myself as a type. I really thought I could play anything, quite frankly. And I have. Especially in the theater, which is where I came from. And I may go back to soon, as a matter of fact. To Broadway.
No one guided me through it, but here is how it happened: I was in New York doing a play, and an agent got in touch with me and said he wanted to take me out for lunch. In the theatre, they never want to take you out for lunch, so I thought, 'Yes!' I went, I ordered steak, and he told me he thought I should write for TV.
I'm definitely nervous and excited. I feel like I've been playing off-Broadway, not to say that Boston doesn't have a great theatre district or great theatre, but it's not going to Broadway; it's just a different city.
I coach young people. I have a group called BTP - Broadway Theatre Project.
To be totally honest, I thought I would have a Broadway debut in the distant, distant future, maybe in my 60s or 70s when somebody revived one of my off-Broadway plays with a star.
I want to make sure that every kid, every young boy and young girl in this country gets the opportunity to live their American dream. That's what the role of being in Congress and being a United States senator is all about.
I decided early on that I wanted to participate in the greater American experience, rather than the parochial one in Mississippi. But I have an urge as a writer to meld the Southern experience into the larger American one.
I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?
I'd had a relationship with a French girl, a Japanese girl, an American girl, a Filippina and she was there all the time - a Lancashire girl. I thought: 'It's a Lancashire girl I was looking for. Why didn't I realize it?'
As the years went by, working on Broadway, I started seeing that I had a fan base and that they were mostly young girls. They are looking for someone that they can look up to, that they see as a role model. And I don't take that lightly; it's a big responsibility.
Perhaps a young boy or girl, after watching my video, can go, 'Maybe I don't have to be embarrassed. Maybe I can come out at school, maybe I can tell my best friend... and maybe I don't have to be afraid anymore.'
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