A Quote by Emilia Clarke

When I'm on stage, I feel very much at home - within a theater, within an ensemble - so this entire process is something I feel very attuned with. — © Emilia Clarke
When I'm on stage, I feel very much at home - within a theater, within an ensemble - so this entire process is something I feel very attuned with.
I truly feel absolutely at home on the stage. It's very comfortable to me. It's very much my workplace, very much my workplace. I feel that an audience and I are happy with one another. I'm grateful for that.
I feel a disparity between my life in India within the home and my life outside the home - my life within public and private space. In terms of here and there, there were some differences, but New York and India were very different when I was growing up in the '80s. Definitely in terms of the visual and popular culture I encountered within my home - that was very different from the complete lack of representation I saw of South Asian culture outside of that space.
When you feel expansion of your consciousness, that is the most ecstatic experience possible, because suddenly you are the whole universe. Stars are within you. The sun rises within you and sets within you. The earth moves within you. The flowers blossom within you.
It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable.
It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable
Today there are very few chefs at that high level who are behind their stoves. You don't feel their presence within the room. Where's the romance? Where's the show? Where's the theater? The modern day restaurant - it's like dining in a chapel. It's boring.
As we go within the self, we discover that all the voices of our past lives are still there. As we peel ourselves, which is a process very much like peeling an onion, we discover that there are many selves within the self.
Every revolution begins as consciousness because some group of people has to imagine change. You have to have the idea of change or at least have a hope before you can proceed. And that stage goes very quickly because a contagion of consciousness is within your control. But when you get to the stage of institutional change, it becomes a much slower process.
The very best design, I feel, is that which resonates so deeply that people can't help but discover something within themselves when they see it.
If you're doing something on an interesting scale that involves an entire universe of characters, one way to unite them is to have them all undergo a common experience, and there is something at Christmas that unites everybody. It already sets a stage within the stage.
In some movies you feel like you're a very small part of a huge machine. Whereas in the theater you can have a very small part, but you can still feel the weight and the gravity of it. Given the nature of theater, it's a more concentrated and quiet experience.
In some movies you feel like you're a very small part of a huge machine. Whereas in the theater you can have a very small part, but you can still feel the weight and the gravity of it. Given the nature of theater, it's a more concentrated and quiet experience
I'd like to get to a point where I am not considered natural by myself. When I say that I mean that I don't want to fit within the guidelines of what other people feel it is to be natural. If people feel that natural bodybuilders usually are the ones who lack legs or have poor body parts or don't train very hard or aren't very strong or aren't very intense, if that's your perception of what a natural bodybuilder is, then that's not what I want to be.
First and foremost, Scotland is my home, and I do consider myself Scottish, but I also feel very British, and I hope that Scotland stays within the Union. I have a real concern about independence.
With poker, you have a resolution of the hand within a couple of minutes. Whereas, even if the thought process in investing is very much the same, you're looking at an outcome that could be 2, 3, 4, 5 years from when you make the original decision. And the mindset related to that is very different.
There is something to me very softening in the presence of a woman, some strange influence, even if one is not in love with them, which I cannot at all account for, having no very high opinion of the sex. But yet, I always feel in better humor with myself and every thing else, if there is a woman within ken.
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