A Quote by Emilia Fox
It was certainly a good death scene. I'm endlessly perishing in roles but it's a wonderful thing to be asked to do.
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Normally death scenes are good, if you have a significant death scene and it means something it's like the audience has an attachment to you being killed that's a good thing.
I've done quite a lot of dying on shows and in movies. To have a good death scene though - come on, it's brilliant. I love a good death scene!
The running across the field thing, that was the first scene we shot in the movie. We asked the audience to stay for the scene, and 37,000 people stayed.
I've had to gain weight for roles and ugly myself up for roles. So yeah, I'm game. I'm game for that kind of thing. I'm certainly not too vain in that respect. If it's a great role, I'm willing to do whatever it is that it takes.
I want to attack and to lead my life with vigor, but I'm in the watching stage at the moment. Younger actors feel pressure to bring a pop to every scene; as the roles get bigger, I'm finding you can add layers and do less scene-to-scene.
The thing is, I love a great death scene - no good actor doesn't. Sorry, any actor, I should say.
I'm in a wonderful position now because the rise of the whole Houston scene, the scene that we've been doing for years that people really didn't embrace a long time ago and now they're embracing it. It's good to be in the middle of that during the uprising.
Well we took it apart scene by scene. We examined every sentence, every full stop, every comma. He has a most wonderful eye for detail, Roman, and you know, he's a very good artist.
In accepting death as inevitable, we don't label it as a good thing or a bad thing. As one of my teachers once said to me, “Death happens. It is just death, and how we meet it is up to us.
There is no dearth of good work or wonderful roles.
The celebration of death is not a good thing. Fetishizing death isn't a good thing. You should be celebrating life and enjoying it and all that.
My wife and I have been together for many years and that, to me, is like endlessly fascinating and endlessly confusing how to sustain all of the excitement from the front of our relationship, valuing that versus the comfort and knowing that she knows all of my flaws and still loves me. It's great, but certainly not as exciting as it was day one.
For a woman, there is a complete dearth of roles to do. Abroad, you really have good roles, and by good roles, I don't mean the film has to be women oriented. I wouldn't mind playing a well-written, small role.
There is a kitsch of death. For example, death transformed into sweet sleep: The 'good night, sweet prince' of the last scene of Hamlet.
[Out To Sea] began a relationship I had with [director] Martha Coolidge for a few years that was wonderful, and she certainly cast me in the best roles I've ever had in film.
I think it's much harder to have a long dialogue scene than an action scene. An action scene is long, but it's not really hard. It's kind of boring, really. It looks good at the end, but to shoot it, it's not the most exciting thing.
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