A Quote by Emilia Fox
My parents instilled a really good work ethic from when I was little - if you want to have money to spend on holidays, you earn it. So I've always been someone who wanted to be able to survive by myself, but I think you have to let down the barriers a little bit - let other people in.
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I think just what my parents instilled in me was hard work and being able to always go out there and focus and be 100%. I took that work ethic into the NFL and everyday I always gave 100% and never wanted anything to be handed to me. I wanted to earn it. And every time I stepped on that football field during practice I wanted to leave that football field with learning something about what the practice was about for me that day...
That's always been my main anxiety - the people in the room. That's my massive stress - thinking that these people in the room are judging me. And, this time around, I've been able to think a little bit more clearly about that. I've been able to think "Well, no. They're here to enjoy a show," and I want to give them that. I want to give them their money's worth – for starters.
All my life, I have been a positive thinker... I have always been able to survive by telling myself that no matter how bad things are, they will one day be better. And that out of every event - no matter how tragic - one can always find a way to survive and even, perhaps, to be a little bit happy.
I think that if you're really going to snog someone and it's going to be a perfect snog, it's got to be between two people that really like each other, rather than someone you think is fit and you snog for the sake of it. That normally turns out not to be a good snog. But if you have two people that really like each other, then fair enough. Really, it's a little mix of kissing, a bit of lips, maybe some biting, and then a bit of tongue and stuff. It depends on what kinky little minx you've gone for on the night.
Writing is a little athletic for me. I get worked up a little bit when I do it. So I guess I'm a little bit like that composer conducting. There are a lot of things that go into what I do, but I think athletics really sort of shaped my ethic.
A lot of people in our generation like to make excuses about little things that really don't hinder them from doing what they want to. It always comes down to the work ethic.
My mom was not able to buy us the expensive Air Jordans, so if I wanted something that was a little bit nicer, my brother and I, we had to go earn money for it.
Unless I'm a little bit scared about something, I'm genuinely not actually entirely happy. I feel I need to be just that little bit outside my comfort zone, and then I can really surprise myself and stretch myself, and I think that's a really good thing for any actor.
I've always been a little kid compared to the guys I've competed against in terms of body development. I've always looked a lot younger, so naturally my body got a bit bigger and stronger. I combined that with a good work ethic, good mindset and focus.
I think I have been able to slow down a little bit and really work on different things... I think I improved on being a leader on the court. Controlling the game, controlling the pace... that is where I have grown.
There are a lot of people that have marginal powers, like a guy who levitates a little bit off the ground, or someone who can breathe a little bit of fire, or someone that can freeze a little bit of something, if it's really close to him, you say, "Well, what do you do with that? How is that useful?" There is so much of it around you and you're seeing it, it becomes the important thing in society.
A big reason why we were able to and have been able to continue to succeed is that we had a very intense work ethic, right from the beginning. There was a do-or-die attitude toward the work. It wasn't seen as a little "club." It was like, "This is your life." We would spend hours and hours rehearsing and endlessly rewriting. We took it very seriously right off the bat. And we were also extremely critical of each other, which was another thing that was unique. A lot of comedy ensembles have a hard time being critical of each other, because they don't want to hurt each other's feelings.
I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.
I love the fact that everybody slightly changes during the holidays. Most people are a little bit brighter and have a little bit more cheer around the Christmas time and are a little bit more giving, so I love that.
The best football players in the world still earn very little money compared to people who really earn money.
While 'Felicity' was successful in the States, and I had opportunities to do other stuff, I didn't want to do anything to make myself more famous. I wasn't dealing well with the celebrity of all of that. I was 23 - just a kid - and not coming from money, it was all just too much. I just wanted to slow it down a little bit, and gain control.
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