A Quote by Emilia Wickstead
I love seeing a woman in a beautiful dress and pairing it with a light shoe that shows skin - I really believe in toe cleavage.
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The secret of toe cleavage, a very important part of the sexuality of the shoe; you must only show the first two cracks.
When I was, like, 5 years old, I used to pray to have light skin because I would always hear how pretty that little light skin girl was, or I would hear I was pretty to be dark skin. It wasn't until I was 13 that I really learned to appreciate my skin color and know that I was beautiful.
Growing up, I had body confidence issues, not really so much because of size but my skin color. I had trouble recognizing that the depth of my skin tone is really beautiful because whenever people referred to a beautiful black-skinned woman, you'd see Beyonce and Rihanna.
I can go toe-to-toe with somebody with my shoes. But you can't do it with LeBron, 'cause what shoe does he not have?
European standards of beauty are something that plague the entire world - the idea that darker skin is not beautiful, that light skin is the key to success and love. Africa is no exception.
Do I love you because you're beautiful, or are you beautiful because I love you? Am I making believe I see in you, a woman too perfect to be really true? Do I want you because you're wonderful, or are you wonderful because I want you? Are you the sweet invention of a lover's dream, or are you really as beautiful as you seem?
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
A modest, godly woman will dress modestly. . . The one who is simple and unpretending in her dress and in her manners shows that she understands that a true woman is characterized by moral worth.
The thing is, if you're a designer, then you want to constantly push yourself and your designs. When we make a new collection, we're changing shapes, we're changing patterns. We get a dress on a model, and it's our first time seeing what the dress really looks like on a woman's body.
I believe every woman should have a flat, a really good wedge, and then the showstopper shoe.
I don't consider what you're wearing when I design a shoe. I don't have a particular look in mind or make a shoe thinking, "This would look great with a blue pinstripe suit." I just let you dress yourself. I'm looking at the shoe itself, not as a component of an outfit.
I just want to say this. I love being a woman. I love playing a woman. I love being a whole and full woman. I am more than my parts, and we all are. And we all, as women, need to continue to change our gaze from how we are seen to how we are seeing. We are full and beautiful women, and let us live in that.
For me, it's really important to take care of my skin. Especially because when I see someone, and they're just so fresh and beautiful, you always notice their skin first. So having a really good skin-care regimen is a must. I just wish I would have started taking care of my skin earlier!
Cinema is a little over 100 years old, and a lot of what we do is built around film emulsion. Those things were calibrated for white skin. We've always placed powder on skin to dull the light. But my memory of growing up in Miami is this moist, beautiful black skin.
I love working with kids and seeing the light come on when they realize they are smart. It's so beautiful to watch.
You want to fall in love with a shoe, go ahead. A shoe can't love you back, but, on the other hand, a shoe can't hurt you too deeply either. And there are so many nice-looking shoes.
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