A Quote by Emilie Autumn
He cried when I left, which I find to be standard male behavior.
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As long as male behavior is taken to be the norm, there can be no serious questioning of male traits and behavior. A norm is by definition a standard for judging; it is not itself subject to judgment.
'Venus,' which is a Roger Michell film - my first scene was with Peter O'Toole, and I cried. That was basically my part. I came in, cried in a white wig, and then left.
Should or can there be a single standard of behavior for both sexes? Is there such a thing as a biologically rooted female culture that should remain separate from male culture, partly because it is different than or superior to male culture? Women must convert their love for and reliance on strength and skill in others to a love for all manner of strength and skill in themselves.
One thing bothered me as a student. In the 1960s, human behavior was totally off limits for the biologist. There was animal behavior, then there was a long time nothing, after which came human behavior as a totally separate category best left to a different group of scientists.
I know I have a fairly strong feminine side. I find myself really distanced from male behavior.
She cried for the life she could not control. She cried for the mentor who had died before her eyes. She cried for the profound loneliness that filled her heart. But, above all, she cried for the future ... which suddenly felt so uncertain.
You left and I cried tears of blood. My sorrow grows. Its not just that You left. But when You left my eyes went with You. Now, how will I cry?
In your standard-issue family, of which few remain, but on which our expectations are still based, there are parents and there are children. The way you know which are which, aside from certain size and age differences and despite any behavior similarities, is that the parents are the bossy ones.
Unconsciously we all have a standard by which we measure other men, and if we examine closely we find that this standard is a very simple one, and is this: we admire them, we envy them, for great qualities we ourselves lack. Hero worship consists in just that. Our heroes are men who do things which we recognize, with regret, and sometimes with a secret shame, that we cannot do. We find not much in ourselves to admire, we are always privately wanting to be like somebody else. If everybody was satisfied with himself, there would be no heroes.
The standard is the standard and whomever walks in the door at the time I need a person in that position who can do that job with excellence and who understands my vision, if they can fulfill it, they got the job whether they're young, old, black, white, male or female.
I cried in English, I cried in french, I cried in all the languages, because tears are the same all around the world.
My mother died when I was five, and all I did was sit and cry. I cried and cried and cried all day, until the neighbors went away.
People who reject transcendent authority can no longer persuade one another through rational arguments; everything is reduced to personal opinion. Debates about ideas thus degenerate into power struggles; we're left with no moral standard by which to measure the common good. For that matter, how can there be a 'common good' without an objective standard of truth?
I always try so hard to find a male doll and shoot a male doll, and it always kind of implodes. Whenever I use men, they're so scary and so dark, and I can never find this sort of lightness or this place between doll and human that I find with female dolls.
If there is no absolute moral standard, then one cannot say in a final sense that anything is right or wrong. By absolute we mean that which always applies, that which provides a final or ultimate standard. There must be an absolute if there are to be morals, and there must be an absolute if there are to be real values. If there is no absolute beyond man's ideas, then there is no final appeal to judge between individuals and groups whose moral judgments conflict. We are merely left with conflicting opinions.
A tendency for the male perspective to dominate responses to films, whether that's commissions or how a film is presented in the world. The market is used to a male voice and a male audience, which it feeds
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