A Quote by Emilio Estevez
I still have the art projects my kids made for me 20 years ago. I cherish them, crude and silly as some of them may be.
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Look at some of the most iconic pieces from Prada and Marni. Every time you pull them out, even if it's five years later, they're still iconic! And then your kids can wear them, and probably style them in a different way. Well-made prints age very well.
I hear radio plays that I did 20 years ago and I can't bear it; I see things on telly that I made six months ago and I just hate them. I could name on one hand the things that I think are OK; the rest of it is just rubbish and embarrassing.
I am good in the fact that most of my reviews have been very positive really. I get pretty good reviews. There have been some that aren't - critical. I think they are extremely - the people that wrote them really don't understand what they are looking at quite frankly or have a very preconceived notion of what conceptual art should be or where I am at or the fact that I may change what I have done from what I did 20 years ago. But there is always some reason that they just sort of get it wrong. And so it certainly doesn't affect my work.
Now undoubtedly, we face some very British challenges when it comes to infrastructure. We rightly cherish our back yards and green spaces, and we'll defend them passionately when projects are announced. We live in a democracy, and we like to debate these things, often for many years.
Just because you are embarrassed to admit that you're still living the consequences of bad decisions made 5, 10, 20 years ago shouldn't stop you from making good decisions now. If you let pride stop you, you will hate life 5, 10, and 20 years from now for the same reasons.
The youngsters who live in housing projects are some of the most talented and nicest kids you'll find anywhere. But they're right on the cutting edge - they could go either way. You have to work with them, guide them, and mold them like a piece of clay.
My ultimate crush may be Judith McNaught - I met her once more than 20 years ago, and she was incredibly kind and encouraging to me. I adore that woman. But I also fangirl over aspiring or beginning authors, because every time I talk with them, I'm so energized and inspired.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
Cherish your mistakes, and you won't keep making them over and over again. It's the same with heartbreaks and girls and everything else. Cherish them, and they'll put some wealth in you.
15 or 20 years ago it would not have been possible for me to come out. Back then, people still had such narrow views, but today many of them are more liberal. Being gay is no longer a taboo in many parts of society. That has affected sports, even boxing.
I've been around for such a long time. My first hit record was over 20 years ago and the people who bought my records then are married now and they probably still play these records and their children like them.
Take your victories, whatever they may be, cherish them, use them, but don't settle for them.
If you're lucky enough to still have grandparents, visit them, cherish them and celebrate them while you can.
I love having made a film and watching it when it affects audiences in a positive way. It was always fun for me to hide in the back of a theater and watch Tootsie with an audience and hear them laugh. And it's gratifying 20 years later to imagine that they still can find it amusing.
I'm always happy to talk to somebody; it's flattering that people remember your movies. Especially some movie that you did, for Christ's sake, almost 35 years ago, or what's especially pleasant is if you're talking about some movie that you did 35 years ago and they're 20 years old.
Basically everything I've done in art, I was in possession of when I was 20 years old. I use a waste retrieval method of working. I'll go back and use something that disgusted me 15 years ago but that I had enough sense to think about. Some artists change dramatically. I see my work more like history being written.
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