A Quote by Emily Atack

It's dangerous that we can all paint a completely false picture of ourselves. — © Emily Atack
It's dangerous that we can all paint a completely false picture of ourselves.
If you paint a picture and I paint a picture, we each want to do it our own way. And we'll stand or fall on whatever we did.
What you do when you paint, you take a brush full of paint, get paint on the picture, and you have faith.
And $18 million in three Japanese banks, completely false. That I have two factories in Panama, also completely false. This is part of the counter campaign of some people.
the growth of intimacy is like that. First one gives off his best picture, the bright and finished product mended with bluff and falsehood and humour. Then more details are required and one paints a second portrait, and a third – before long the best lines cancel out – and the secret is exposed at last; the planes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such fatuous accounts of ourselves as we make to our wives and children and business associates are accepted as true
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
The pictures come to me in my mind, and if to me it is a worthwhile picture I paint it I do over the picture several times in my mind and when I am ready to paint it I have all the details I need.
It takes two guys to tell a story, paint a picture, so our audience can be entertained and brought into the match. You need to suck people in emotionally to a match, and it takes both parties to paint that picture.
If you're a painter, paint. But you don't have to put Jesus in every picture. Paint well, and if you paint well enough, they might ask you why you do that.
The feeling we experience while we look at a picture is not to be distinguished from the picture or from ourselves. the feeling, picture, and ourselves are united in one mystery.
The creation story is ridiculous garbage. And has given us a completely false picture of our origin as a species and the origins of the cosmos. If you want a good mythical story it would be the life of Socrates.
Know what you're trying to do before you do it. Turning knobs at random isn't enlightening any more than throwing paint at a wall blindfolded will let you paint a nice picture.
If I was painting a picture, I wouldn't want to take a picture of a single paint stroke. I'd rather show people what it looks like when it's done.
I see less and less... I need to avoid lateral light, which darkens my colors. Nevertheless, I always paint at the times of day most propitious for me, as long as my paint tubes and brushes are not mixed up... I will paint almost blind, as Beethoven composed completely deaf.
A picture may be worth 1,000 words, but I think if the picture is made in MS Paint, the going rate might be slightly less.
Completely true to nature!' - what a lie: / How could nature ever be constrained into a picture? / The smallest bit of nature is infinite! / And so he paints what he likes about it. / And what does he like? He likes what he can paint!
I understand what it can feel like when people are bullying you, and you can't just seem to catch a break, and people don't see who you are. And people completely paint their own picture. And you're supposed to zip it and just go along with whatever they say.
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