A Quote by Emily Barton

[Michael] Chabon is arguing in favor of what is at the same time an old-fashioned and very forward-thinking opening up - of taking off the class associations with those labels, because we grew up, or I certainly grew up, feeling that, "Oh, there's literary fiction, and beneath that, there's these other things." He's actually saying that they're all of equal merit, and in many cases, that work in the genres, or work that draws from the genres is more entertaining for readers, since it is our job to entertain people.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.
Where I grew up in Dallas, things might be a little more traditional. People have the same things in mind. They're supposed to grow up, go to college, get a job, get married, and have children, grandchildren. That's the world I grew up in.
I think readers nowadays are happy to have genres blurred. We're seeing that on screen too: The Pirates of the Caribbean mashes up history and fantasy, Cowboys and Aliens mixes the Western and the Science Fiction genres.
Honestly, when you start talking about genres, you're talking as much about the business side of writing as anything else. Certainly there are elements of reader expectation that play into various genres, and those are important, but it also becomes about packaging, placement, audience....In the end, I'm not a fan of labels. I think the best fiction blurs the boundaries between genres, stretches and breaks them.
Off-track, I do a lot of physical training, I work out a lot. My dad grew up in the motocross scene, where it's intense and everyone's in really good shape. That's the lifestyle that I grew up around, so I might work out more than other racers do.
I think Joan Rivers is such an untapped legend that people just don't appreciate, because they grew up with her on QVC, or they grew up with her on E!, or they grew up watching her do the things that in their minds the more prestigious comics wouldn't have taken or done.
Before taking up dressage, I'd distanced myself from the Paralympics because I hadn't wanted to be defined by my disability. Then when I grew up and got an office job, things started to change. I'm actually allergic to horses, but I'm even more allergic to paperwork!
If you grew up in Boston, you actually grew up thinking that Patriots' Day is a major American holiday, sort of like the other Fourth of July.
I was born in Iran, left at a very young age-less than a year old-and grew up and was educated in the West. I grew up thinking of myself as an American but also, because of my parents and the Iranian culture that was in our home, as an Iranian. So if there's any such thing as dual loyalty, then I have it-at least culturally.
In effect, I grew up in a sort of timewarp, a place where times are scrambled up. There are elements of my childhood that look to me now, in memory more like the 1940s or the 1950s than the 1960s. Jack [Womack] says that that made us science fiction writers, because we grew up experiencing a kind of time travel.
I grew up in rural Arizona. My dad ran a general store. I grew up learning to do more with less. And I have been saying, you know, Washington needs to do the same.
As someone who grew up with a father who was the prime minister, many people liked me, and many didn't. I don't pay much attention to labels and certainly don't let people define me through the labels they apply. I stay focused on what I need to do.
I read a lot of science fiction, but I also mixed it up with a lot of other genres: crime, literary fiction, as well as nonfiction. Author-wise, I'm a fan of Stephen King, Lauren Beukes, Robert McCammon, Raymond Chandler, Greg Rucka, Ed Brubaker and Gail Simone, among many others.
I grew up on my dad's sets, but I was never star-struck or desperate to be famous. I grew up being a worker. It took me a long time to realise that my work ended up being seen by people. As far as I was concerned, I was just in the family business.
Language is the primary way we communicate with each other, and we have really strong feelings about what words mean, and about good language and bad. Those things are really based on sort of an agglutination of half-remembered rules from high school or college, and our own personal views on language and the things we grew up saying, the things we grew up being told not to say.
One thing that I noticed is having met some former Taliban is even they, as children, grew up being indoctrinated. They grew up in violence. They grew up in war. They were taught to hate. They were, they grew up in very ignorant cultures where they didn't learn about the outside world.
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