A Quote by Emily Beecham
When I was young, I went with my mum to see some really random independent films, which really spoke to me: 'My Beautiful Laundrette,' 'Secrets and Lies'... It wasn't all arthouse, though!
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I can remember, after I started doing films, my mum began going to more arthouse films. She went to see 'Edward Scissorhands' and phoned me up and said: 'What was that all about? He had scissors on his hands.' Good question. I think she should review films on Channel 4.
I just remember not having access to films as a young person who loved films but living in Compton. In order to see the film, I had to get on the bus and travel quite a ways to get to an arthouse theater - none of which you're gonna find in black and brown communities - to see anything that was outside of what the studios fed me, and that's not the case anymore.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.
My mum took me to the theatre a lot, and I'd obsess over them for weeks after. She took me to see 'The Blue Room' at The Royal Exchange when I was 13, and that was a profound moment for me - I remember really wanting to be an actor. It really spoke to me like nothing else had before.
My mum loved Joan Armatrading and used to play her records all the time and even took me to see her a couple of times when I was really quite young. I didn't really like her music back then because my mum was always playing it, but I've grown to appreciate it more.
The films that I really liked and the ones that really blew my mind when I was younger were independent films. They're like great records to me.
Obviously, I'm quite young and I haven't really thought about what films I'd like to go into yet. I love challenging films, really. I'd prefer to do some gritty, challenging roles. That would be awesome, and really fun. I want to be as diverse as possible.
Some really good things kind of swing both ways and I like to see people that can swing really, really, really sad and horrible and terrible and really, really, really beautiful and funny.
I feel that so many sci-fi films and films in general have just become really dependent on and addicted to CGI, and that some of the big CGI films of the summer, you see these effects that look like crap. You don't know if you're watching a cartoon or something that's real. And I didn't want to fall into that trap. I really thought there was a way to use a lot of these old techniques to do some new and really neat stuff.
I'm really interested in making movies that people see: I've made a lot of independent films and it's really depressing when no one sees them.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.
I was never that kid who grew up in New York and was always at the arthouse watching important films. I was the kid who grew up in the Midwest where there weren't any art films, and I watched TV. And that was really the medium that affected me and that I fell in love with.
I was 13 when I first saw my mum's films. There were these boys who said to me, 'Your mum makes sexy films,' and I said, 'She doesn't.' Then I watched them and my mum makes sexy films! I'm a huge fan of my mum.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
I think that I burnt myself out a little bit with my dancing because I did so much of it. I was exhausted so thought that I would try a different kind of performance and expression and acting seemed like a close fit; it was similar in some ways to dancing. My mum showed me some really good films and so I became interested in films and acting.
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