A Quote by Emily Berrington

You don't want to disappoint, or feel like you're trying to recreate the magic of something. — © Emily Berrington
You don't want to disappoint, or feel like you're trying to recreate the magic of something.
I feel like a hit will come whenever it does, but I don't want to sit in a studio trying to figure out the magic formula and mixing spices and trying to come up with the perfect song.
A voice is very intimate. It's something of your own. So there's always this fear, because you feel naked. There's a fear of not reaching up to expectations. As you become more famous, people come and expect to hear something extraordinary, so you don't want to disappoint them. I feel this sense of responsibility.
I want actors. I want to be with other people. I don't wanna be alone, because of the connection when you're in a room, in a scene with someone, and it comes to life. You feel like the moment is something magic.
There's so much that I want to do. I feel like I'm the Magic Johnson of rap. You know, Magic was great on the basketball court, but he's bigger as a businessman.
I still feel I am that 14-year-old kid, hungry and trying to find a way through life. That's what I'm trying to develop, trying to be good at something through boxing. But I feel like that young kid who's trying and trying.
For me, a great fantasy is real people, a world I recognise, human struggle and magic. You've got to have magic to make a fantasy work. But I like my magic to be subtle. I don't want magic coming out of the hands of wizards. I want it to be pervading, sinister somehow.
There really is a certain magic that happens when you're in the studio. And it's important in life to feel that magic: to feel that there is something greater moving all this along.
It bothers me when musicians listen to music from the '60s and try and recreate it. Those people weren't trying to recreate music from the '20s. Why do it?
The audience got jaded, they want a hit, they want a big success, and so you don't want to experiment because you say, well, I'll disappoint the audience, they may not like it, I better do something that I think is more commercial.
And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!
I want to be magic. I want to touch the heart of the world and make it smile. I want to be a friend of elves and live in a tree. Or under a hill. I want to marry a moonbeam and hear the stars sing. I don't want to pretend at magic anymore. I want to be magic.
I know this sounds incredibly lame, but I don't want losing my virginity to feel like I'm losing something. I want it to feel like I'm finding something. I want sex to be amazing. I want it to be life-alteringly wonderful. And I want it to happen with someone I love.
When you put something out there into the world, there's all these words you don't want to hear, that you hope people don't say. I don't like anything that starts with 're' - like retro, reinvent, recreate - I hate that. It's always like living in the past - copying, emulating.
If you want to call it that. But it is a very specific sort of magic. There's a magic you take from death. Something leaves the world, something else comes into it.
I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about.
I love the creative outlet of designing, and I love make-up and products and feel like I find so many great products around the world that I want to recreate, so I want to do that or design.
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