A Quote by Emily Berrington
If there is an option to use a real human being and to have a chat with somebody and do your shopping that way, I do try and do that.
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I'm looking into making toilet paper. It's not an option unless you a bum and gotta use newspaper. It's not an option. Like, it's an option if you wanna drive a car. It's an option if you wanna use a straw. It's an option if you wanna wear a pair of Nikes or Reeboks.
In Cannes, I try to find somebody's apartment that I can cook at. I always go shopping in the marche and try to make a meal and set up a whole space outside the business. I'll try to go to at least two or three movies that I know there's no way in hell I'll be involved with from a business perspective. You have to indulge your cinephilic needs.
If a human being dreams a great dream, dares to love somebody; if a human being dares to be Martin King, or Mahatma Gandhi, or Mother Theresa, or Malcolm X; if a human being dares to be bigger than the condition into which she or he was born-it means so can you. And so you can try to stretch, stretch, stretch yourself so you can internalize, 'Homo sum, humani nil a me alienum puto. I am a human being, nothing human can be alien to me.' That's one thing I'm learning.
I mean... if you're raised as a decent human being, killing somebody is against every moral thing you've ever been taught. And so, generally, in combat it's 'krauts,' the 'gooks,' the 'yanks' - whatever you want to do to try and make it so that it's not a human being.
Basically we are all the same human beings with the same potential to be a good human being or a bad human being. The important thing is to realize the positive side and try to increase that; realize the negative side and try to reduce. That's the way.
I might tell a story about somebody else, but I don't sit there and do a story about somebody snitching on me selling coke because people know I didn't sell coke. So I just try to keep it real but still try to do it in a creative way.
Try to be all you can be to be the best human being you can be. Try to be that in your church, in your temple. Try to be that in your classroom. Do it because it is right to do.
Any window of opportunity is important. If your hands are tied, you should swim with your legs. If your legs are tied, you should try to hold on to the edge of the boat with your teeth. We have to use every option.
Don't try to be spiritual. That is only a word in the dictionary. Make it your goal to become a normally functioning individual. Let these principles shape you according to your real nature of a simple, decent, honest, unafraid human being.
My attitude is if somebody blunders into the level of popularity; at least remember the human factor. These guys are still human beings and hopefully still have hearts and if you keep in touch with them rather than vilify them you may be able to encourage them to go in the right direction. What I'm hoping will eventually happen is that they will grasp the amount of power and financial clout that is now at their fingertips and use those as tools to help real people with real things the way punk politics was always designed to do before, but nobody had any money.
If you look into the way that materials are used in an ecological system you'll notice that you'll find that there is no waste. The waste of one organism becomes food for another and everything's recycled in an ecological system whereas in our human built environment there's a throughput system. We use something then we throw it away... We have to imitate nature and try to re-use everything we make as human beings or recycle them - when we cannot re-use or recycle them we should try to reintegrate them back into the natural environment.
I think that everybody who writes believes that their work has some kind of use-value, for someone, that there's some need for it, some person or group of people out there has demanded that these words come into being. I think that you do the work for these people. You hope that you can make a living at it. Whatever your ambitions and needs are in that regard, your only real requirement is to try and dig as deeply as you can dig to make sense of the meaning of human existence.
This work thing really has a specific purpose for me, which is to be an independent human being who doesn't rely on a guy or a family to be able to support myself. It's not about showing somebody that I'm successful. It's about having a wider breadth of option.
Making use of human weaknesses in intelligence work is a logical matter. It keeps coming up, and of course you try to look at all the aspects that interest you in a human being.
I arrived at my way of "working" as a way of visually approximating what I feel the tone of fiction to be in prose versus the tone one might use to write biography; I would never do a biographical story using the deliberately synthetic way of cartooning I use to write fiction. I try to use the rules of typography to govern the way that I "draw," which keeps me at a sensible distance from the story as well as being a visual analog to the way we remember and conceptualize the world.
Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice.
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