A Quote by Emily Browning
After Hollywood, you know if people are interested in you or in the fact that you've been in a movie. You know who your real friends are.
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I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
People who know me know that I'm always interested in an honest, civil exchange of views, and I'm not some Hollywood liberal know-nothing.
I'm doing 'Les Miserables,' the movie. I've done a lot of musicals and a lot of movies, and I know there are not a lot of people in Hollywood who have been down those two paths so I've been like, 'Come on, let's do a movie/musical.'
You have to be strong. You have to know how you are, and you have to know who your partner is and you have to know who your friends, who your real friends are.
People send me e-mails saying, "You're a movie critic. You don't know anything about politics." Well, you know what, I'm 60 years old, and I've been interested in politics since I was on my daddy's knee. During the 1948 election, we were praying for Truman. I know a lot about politics.
People started conceiving of their friends as networking tools, like, 'Friend me so you can be friends with someone else,' or, 'The more people you know, the more networked you are.' But we see real value in having a fun conversation with your friends.
People aren’t interested in the truth, Dafar. They’re interested in what keeps them safe. They’re interested in being looked after. They’re interested in a tale being spun... Mighty men have moments of great despair that common people do not want to know about.
I came in on this movie after there had been a director and I came in after Tom Courtenay had talked to Ron Harwood about making a movie. So, you know Tom and Albert Finney had been friends since the beginning of their career as they became stars around the same time - Tom always reminds me that Albert was first with Saturday Night and Sunday Morning and then Tom with The Long Distance Runner.
It was very pleasurable and easy and it was nice to work with friends... people I already knew, people I didn't know but I now count as friends. There is a lot of hard work that goes into the movie but I can't claim to have been any part of that.
To me a real patriot is like a real friend. Who's your real friend? It's the person who tells you the truth. That's who my real friends are. So, you know, I think as far as our country goes, we need more people who will do that.
Nobody can pretend to know what people want to read or hear or see. People rarely know it themselves; they only know it after the fact.
You know a real friend? Someone you know will look after your cat after you are gone.
I tell people all the time like, man, when you a kid, you don't know you're in the hood, or you don't know you poor. You just accepting your environment when you a child, and that's when your friends are really your friends, wholeheartedly and nothing malicious.
You can do a good movie, or you can do a good movie that can help people to feel the idea of what it is like to live. It can be good in an artificial way; it can be also a good movie for your own existence. You don't know that when you do a movie. You don't know if you succeeded, which is the most difficult thing.
When I go to see something I'm in, or my friends are in, it's like a home movie. When I just go to the movies and don't know anyone in it, then it's a real movie.
How do you untell something? You can't. You can't put words back in your mouth. What you can do, is spread false gossip ... so people think that everything that's been said is untrue. Include that Stanley is having an affair. It's like the end of Spartacus. I have seen the movie half a dozen times, and I still don't know who the real Spartacus is. And, that is what makes that movie a classic whodunnit.
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