A Quote by Emily Browning

I've actually got turned down for a lot of roles because I'm not bubbly enough. People have told me to be more 'up', but I can't, really. I find it hard to be smiley and giggly all the time.
Yes. Otherwise I could have done a lot of Hollywood movies. After Crouching Tiger I got a lot of offers, but I turned them down because they were all victim roles - poor girls sold to America to be a wife or whatever. I know I have the ability to go deeper, to take on more original roles than that.
Balancing is hard. I've lost roles that I really wanted because I had set up a tour. I cancelled tours to do roles before. But I have to find the time to make that up to my audience. I made a commitment to them.
People assume a lot about me. Some people come up and think I'm hard. I'm actually very, very shy. I'm bubbly in the right circumstances. But I'm a big introvert.
I find more and more, as time goes on, these people I meet, they are starting to become these people I look up to more and more. Like Julianne Moore, also, on Crazy Stupid Love: kids, husband, priorities straight. Or Woody Harrelson's like that. Those are the people I really admire, and that's success to me: being able to balance that life and not buy into it. And do the work that you want to do and makes you happy, because you're lucky enough to do it. But if I never got a role again, I've got this incredible life.
I applied for a scholarship to Curtis Institute of Music in Philadelphia. I knew I was good enough, but they turned me down. And it took me about six months to realize it was because I was black. I never really got over that jolt of racism at the time.
It just took the right time. I was fully confident that I was going to see Sam Phillips and to record for him that when I called him, I thought, I'm going to get on Sun Records. So I called him and he turned me down flat. Then two weeks later, I got turned down again. He told me over the phone that he couldn't sell gospel music so - as it was independent, not a lot of money.
Failure is really a matter of conceit. People don't work hard because, in their conceit, they imagine they'll succeed without ever making an effort. Most people believe that they'll wake up some day and find themselves rich. Actually, they've got it half right, because eventually they do wake up.
Race and gender definitely came up, occasionally, in my life at work. But the bigger challenge that I had was age. I took roles earlier in my career than people expected, and so a lot of what I got was, 'Do you actually know enough to do this?'
Lyrics are really, really hard, I think, or at least they're really hard for me. Some people can channel lyrics faster. I find them very hard to find, so because of it, they take me a long time, and I really think about them.
I thought, 'Anyone can make up a lie, but making the truth funny is really hard.' But I actually had more problems with people believing me when I told the truth on stage.
I've read something that Bill Gates said about six months ago. He said, ‘I worked really, really hard in my 20s.’ And I know what he means, because I worked really, really hard in my 20s too. Literally, you know, 7 days a week, a lot of hours every day. And it actually is a wonderful thing to do, because you can get a lot done. But you can't do it forever, and you don't want to do it forever, and you have to come up with ways of figuring out what the most important things are and working with other people even more.
Time trialing is one of those things that you've got to train for... Being a new rider, it's still really hard for me to know what's the most efficient gear for me to be in. The road race is probably more exciting, in my opinion, because it's a lot faster pace, and people are constantly attacking.
They used to have selection days for all the local kids and I went to these trials three times and got turned down every time. On the third time I was so upset because I thought I was not good enough. I was eight years old and I had the feeling, 'That's it, I don't want to play for Ajax any more!'
I've got so much I want to do, and not a lot of time to do it in. People say to me, "You really shouldn't do so many records", because it actually harms your career.
After playing giggly and bubbly, it is fun to shriek and yell.
I've turned down a lot of roles to make time to record and tour.
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