A Quote by Emily Carr
The house begins to be a home. The unfamiliar places are beginning to fold the familiar objects into their keeping and to cozy them down. Objects that swore at each other when the movers heaved them into the new rooms have subsided into corners and sit to lick their feet and wash their faces like cats accepting a new home.
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The historian of science may be tempted to claim that when paradigms change, the world itself changes with them. Led by a new paradigm, scientists adopt new instruments and look in new places. even more important, during revolutions, scientists see new and different things when looking with familiar instruments in places they have looked before. It is rather as if the professional community had been suddenly transported to another planet where familiar objects are seen in a different light and are joined by unfamiliar ones as well.
Our days are a kaleidoscope. Every instant a change takes place in the contents. New harmonies, new contrasts, new combinations of every sort. Nothing ever happens twice alike. The most familiar people stand each moment in some new relation to each other, to their work, to surrounding objects. The most tranquil house, with the most serene inhabitants, living upon the utmost regularity of system, is yet exemplifying infinite diversities.
It is not possible to live in today's society without a cozy home. What is a cozy home? A cozy home is a place where there is a unity in all those who live there, an understanding in all those who relate to it. There is a will to sacrifice for each other; there is a will to live for each other; there is a will to protect each other.
A cozy home is not just a sixty-five thousand dollar house bought from Bank of America. A cozy home is a total consciousness of the two individuals within the framework of the home, and in relationship to the entire surrounding of this planet and beyond this planet. God lives in cozy homes.
In order to educate man to a new longing, everyday familiar objects must be shown to him with totally unexpected perspectives and in unexpected situations. New objects should be depicted from different sides in order to provide a complete impression of the object.
When you talk about objects, one other thing automatically comes attached to that thing, and that is gestures: how we manipulate these objects, how we use these objects in everyday life. We use gestures not only to interact with these objects, but we also use them to interact with each other.
My work comes out of a deep psychological place, so it's not like I'm Object Man at home. Theoretically, I'm not against objects, but, personally, I'm not comfortable attaching myself to them - I don't seek them out. What you can say about my home is that it's not very ambitious.
Ordinary men live among marvels and feel no wonder, grow familiar with objects and learn nothing new about them.
I wanted to make new works of very contemporary objects, which I thought was interesting because many of them are manufactured in China, but these objects are universal, they go across all languages, all cultures.
I'm connected to both places because I already feel like New York is my home. But then again I feel like L.A. is my new home and Israel is my real home.
Oddly, I'd been to most of the locations where I started photographing slavery many times before. I even considered some of them homes-away-from-home. But there can be dark corners in familiar places.
Being a sculptor who uses found objects, all the objects I use in my work have been designed by other people. So I'm tweaking them in some way by squashing them or throwing them off cliffs! Then I formalise my damage by suspending them or arranging them in some kind of way. So I'm using other people's design in a way, so I'm an 'un-maker.'
England is my home. London is my home. New York feels like, if I have to spend a year living in an unfamiliar city, this is a pretty lovely one to spend a year in, but I will be going home at the end of it, certainly.
It feels amazing to be back on set. It feels like home, even though the territory is a little bit unfamiliar because it's a new show, it's a new character, but once you get in the groove and you start to settle in and trust the moment, you start to really feel at home.
One's home is like a delicious piece of pie you order in a restaurant on a country road one cozy evening - the best piece of pie you have ever eaten in your life - and can never find again. After you leave home, you may find yourself feeling homesick, even if you have a new home that has nicer wallpaper and a more efficient dishwasher than the home in which you grew up.
Mathematicians do not study objects, but relations among objects; they are indifferent to the replacement of objects by others as long the relations don't change. Matter is not important, only form interests them.
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