A Quote by Emily Carr

It's all the unwordable things one wants to write about, just as it's all the unformable things one wants to paint - essence. — © Emily Carr
It's all the unwordable things one wants to write about, just as it's all the unformable things one wants to paint - essence.
Write your script. When you see things you don't want, don't think about them, write about them, talk about them, push against them, or join groups that focus on the don't wants... remove your attention from don't wants.. and place them on do wants.
There are some concerns that are universal. Everyone wants to be loved, and everyone wants to feel like they belong somewhere in the world. Everyone wants to do something and feel like they have a sense of purpose. These are just the things that I think about and the things that make their way into my songwriting.
You can write a 1st paragraph that continues the same thought you expressed in your headline. If you stop a reader with a headline about house paint, you can be sure of at least one thing about that reader: He wants more info about house paint. You will not lose him as long as you continue to give him what he wants.
One of the great things about working for Pop, not just me but everybody, is he wants you to give your opinions. He almost wants you to disagree with him. It's part of the whole process.
When I was going through all the divorce things, that was really hard to discuss, because nobody wants to talk about their failures. Nobody wants to talk about how painful those kinds of things are.
The things that affect you most deeply - the things that will destroy you if you don't sing about them - are the things that you often end up singing about. It's really just about saying those things that everybody thinks but no one will say and making a connection by uncovering these diamonds that are inside of all of us that no one wants to tell each other about.
It's really a lot easier to write about things that are problematic. Who wants to hear how happy you are?
One of the things that distinguishes man from the other animals is that he wants to know things, wants to find out what reality is like, simply for the sake of knowing. When that desire is completely quenched in anyone, I think he has become something less than human.
Forget about Republican or Democrat - what about the kid in the middle of the country who wants to play the drums, the kid who wants to learn how to write a book, or the kid who wants to write a screenplay? We need to give them access to the arts. It's not fair that if you live in a different part of the country, you don't have the chance to learn. And it's not fair that if you don't have as much money, you don't have the chance to learn.
A man who wants to die feels angry and full of life and desperate and bored and exhausted, all at the same time; he wants to fight everyone, and he wants to curl up in a ball and hide in a cupboard somewhere. He wants to say sorry to everyone, and he wants everyone to know just how badly they've all let him down.
It is common to distinguish necessaries, comforts, and luxuries; the first class including all things required to meet wants which must be satisfied, while the latter consist of things that meet wants of a less urgent character.
I think it's a greater risk not to write about 9\11. If you're in my position - a New Yorker who felt the event very deeply and a writer who wants to write about things he feels deeply about - I think it's risky to avoid what's right in front of you.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
I believe that if a child has a feel for writing and wants to write, there is an audience. Children should just dive in and go at it. I would encourage children to write about themselves and things that are happening to them. It is a lot easier and they know the subject better if they use something out of their everyday lives as an inspiration. Read stories, listen to stories, to develop an understanding of what stories are all about.
I don't want to have anything to say, it just gets in the way. I think the journey of an artist is a journey of discovery and some engagements with paint, with the nature of material, with bodily things...One wants to open the story, not close it.
The heart wants what it wants. There's no logic to these things. You meet someone and you fall in love and that's that.
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