A Quote by Emily Carr
You must be absolutely honest and true in the depicting of a totem for meaning is attached to every line. You must be most particular about detail and proportion.
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They must be real people. And this means that every word in every line of speech must be accurate and full of some kind of meaning which stretches not only forward in the book but stems from before in the book.
An artist must know the reality he is depicting in its minutest detail. In my opinion we have only one shining example of that - Count Leo Tolstoy.
Popular glory is a perfect coquette; her lovers must toil, feel every inquietude, indulge every caprice, and perhaps at last be jilted into the bargain. True glory, on the other hand, resembles a woman of sense; her admirers must play no tricks. They feel no great anxiety, for they are sure in the end of being rewarded in proportion to their merit.
At least three further requirements supplement the strategies of environmentalists if we were to create and preserve a less violent world. 1) Every culture must begin to affirm the female future. 2) Species responsibility must be returned to women in every culture. 3) The proportion of men must be reduced to and maintained at approximately ten percent of the human race.
Every line of true knowledge must find its completeness as it converges on God, just as every beam of daylight leads the eye to the sun. If religion is excluded from our study, every process of thought will be arrested before it reaches its proper goal. The structure of thought must remain a truncated cone, with its proper apex lacking.
I feel with this film that as long as we tell Philomena's story and as long as we're true to her, which Jeff and Steve have already done by writing the story... we must not sell her short;. She's a most remarkable woman and all my concern was that we must be absolutely true to her story.
Everything in art depends on execution: the story of a louse can be as beautiful as the story of Alexander. You must write according to your feelings, be sure those feelings are true, and let everything else go hang. When a line is good it ceases to belong to any school. A line of prose must be as immutable as a line of poetry.
The most important philosophy I think is that even if it isn't true you must absolutely assume there is no afterlife.
The token of a true cosmos is in fact a particular kind of design, referred to in the book of Genesis in the phrase ‘God created Man in his own image’. This ‘divine image’, the characteristics of which we must study in detail, can be found on all levels, and is the hallmark of a cosmos.
I am fond of depicting the lives of young folks for one thing, and if you have parts for girls or young men, you must absolutely have young people to fill them - that is generally acknowledged now.
Musicians must make music, artists must paint, poets must write if they are to be ultimately at peace with themselves. What human beings can be, they must be. They must be true to their own nature. This need we may call self-actualization.
We actors can't say every line as if it has weight, but what we want to do is be true to the meaning of each line, whatever it is. Even the lines that are throwaway may come back later.
Three characteristics a work of fiction must possess in order to be successful:
1. It must have a precise and suspenseful plot.
2. The author must feel a passionate urge to write it.
3. He must have the conviction, or at least the illusion, that he is the only one who can handle this particular theme.
The master-economist must possess a rare combination of gifts. He must reach a high standard in several different directions and must combine talents not often found together. He must be mathematician, historian, statesman, philosopher - in some degree. He must understand symbols and speak in words. He must contemplate the particular in terms of the general, and touch abstract and concrete in the same flight of thought. He must study the present in the light ofthe past for the purposes of the future
You must realize that the true desire to express affection can be motivated by things other than true love.... In short, one might simply say: save your kisses--you might need them someday. And when anyof you--men and women--are given entrance to the heart of a trusting young friend, you stand on holy ground. In such a place you must be honest with yourself--and with your friend--about love and the expression of it's symbols.
Art is a process of concentration. It is both the distilled essence and the commentary upon otherwise mundane activities and reflections. Musical notes must be charged, must gather more than one and the surface meaning, must reveal audible and "inaudible" connections to other notes, patterns, and meaning, either by way of affinity or contrast.
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