A Quote by Emily Dickinson

I like a look of Agony, because I know it's true - men do not sham Convulsion, nor simulate, a Throe — © Emily Dickinson
I like a look of Agony, because I know it's true - men do not sham Convulsion, nor simulate, a Throe
We will that all men know we blame not all the lords, nor all those that are about the king's person, nor all gentlemen nor yeomen, nor all men of law, nor all bishops, nor all priests, but all such as may be found guilty by just and true inquiry and by the law.
Then welcome each rebuff That turns earth's smoothness rough, Each sting that bids nor sit nor stand, but go! Be our joys three-parts pain! Strive, and hold cheap the strain; Learn, nor account the pang; dare, never grudge the throe!
Phury stepped up in front of her, blocking the view as leaned down and put his mouth right to Throe's ear. As he squeezed Throe's biceps until it screamed in pain, the Brother growled softly, "You get hard and I'll castrate you as soon as she leaves." Well .. If that wasn't crystal clear.
We are used to thinking of the Arabs as primitive men of the desert, as a donkey-like nation that neither sees nor understands what is going around it. But this is a GREAT ERROR. The Arab, like all sons of Sham, has sharp and crafty mind . . . Should time come when life of our people in Palestine imposes to a smaller or greater extent on the natives, they WILL NOT easily step aside.
For the first time I noticed - as I would notice repeatedly during my ordeal, between one throe of agony and the next - that my suffering was taking place in a grand setting. I saw my suffering for what it was, finite and insignificant, and I was still. My suffering did not fit anywhere, I realized. And I could accept this. It was all right.
For I have neither wit, nor words, nor worth, Action, nor utterance, nor the power of speech, To stir men's blood: I only speak right on; I tell you that which you yourselves do know.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
You know just because you don't like the way it sounds when I say it or you don't like my haircut or you don't like that I'm gay, it does not mean that what we say is not true. If you squint a little bit, it is true I do sometimes look like a dude, and I am definitely gay.
We have been through this biennial convulsion four or five different times over the past 10 or 12 years, and now it appears that we are going through this quiet agony all over again.
We have been through this is biennial convulsion four or five different times over the past 10 or 12 years, and now it appears that we are going through this quiet agony all over again.
Those then who know not wisdom and virtue, and are always busy with gluttony and sensuality, go down and up again as far as the mean; and in this region they move at random throughout life, but they never pass into the true upper world; thither they neither look, nor do they ever find their way, neither are they truly filled with true being, nor do they ever taste of pure and abiding pleasure.
Why do men like me want sons? he wondered. It must be because they hope in their poor beaten souls that these new men, who are their blood, will do the things they were not strong enough nor wise enough nor brave enough to do. It is rather like another chance at life; like a new bag of coins at a table of luck after your fortune is gone.
So we can simulate Richter-10 earthquakes. We simulate 70-foot waves coming into these things. Very cool. We basically say no human should ever be required to do anything, because if you judge by Chernobyl and Fukushima, the human element is not on your side.
In Shakespearean tragedy the main source of the convulsion which produces suffering and death is never good: good contributes to this convulsion only from its tragic implication with its opposite in one and the same character.
I Know, I Alone I know, I alone How much it hurts, this heart With no faith nor law Nor melody nor thought. Only I, only I And none of this can I say Because feeling is like the sky - Seen, nothing in it to see.
It is not true that men prefer foolish women. Rather they prefer women who can simulate foolishness whenever necessary, which is the very core of intelligence.
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