A Quote by Emily Dickinson
I could not prove the Years had feet-/Yet confident they run.
Related Quotes
Bribes are not offered in such a way that you can prove them, and in order to prove that I didn't accept a bribe, I had to run.
I was really confident when I left WWE. I was confident that I would have a good time, and I was confident that I could wrestle differently than perhaps people saw me in the last few years with WWE, but I definitely wasn't prepared for this level of everything.
I was always confident in my ability, I was always confident in the talent that I had, and I felt WWE was a very good fit for me. After it didn't happen for a couple of years and I had a knee surgery and everything, there were times I had doubts.
I had a good run here, fifteen years. That's a great run. I'm not saying that I'm done in center field - if I could play there forever, I would. But I know that's not reality, so I'm happy.
The 1986 act didn't turn illegal immigrants into citizens on the spot. It granted temporary resident status only to those who could prove they had resided continuously in America for five years. After 18 months, their status could be upgraded to permanent residency, and only after another five years could they become U.S. citizens.
As a kid, I thought if I could move my feet fast enough, I could run on water.
I could have protested of course, who says I couldn't--I could have risen to my feet at any moment, walked up to them, and--no matter how difficult it would have been--made it abundantly clear that I was not seventeen but thirty. I could have--yet I couldn't because I didn't want to, the only thing I wanted was to prove that I was not an old-fashioned boy!
I knew how to sell. I felt confident I could run a business. I was willing to outwork anyone. I wasn't afraid to live like a student on next to nothing. So that meant I had absolutely nothing to lose and everything to gain.
I've always had to prove myself to people growing up. I had to show them that I could do this and I could do that and paying no mind to what the critics said.
I spent the first twenty years of my running career trying to run as many miles as I could as fast as I could. Then I spent the next twenty years trying to figure out how to run the least amount of miles needed to finish a marathon. And I've come to the conclusion the second way is much more enjoyable.
Why the hell not run a race across the United States? A balls-out, shoot-the-moon, f***-the-establishment rumble from New York to Los Angeles to prove what we had been harping about for years, for example, that good drivers in good automobiles could employ the American Interstate system the same way the Germans were using their Autobahns? Yes, make high-speed travel by car a reality! Truth and justice affirmed by an overtly illegal act.
Part of me was always trying to prove that I belonged and prove that I deserved the job and prove that I could handle it. And that takes the fun out of it.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
For 14 years I had that run in Canada as a newscaster. When I decided to quit in 1953 I was making more money than the prime minister. Then I was a freelance actor for six years in Canada, the U.S., and England. Then 'Bonanza' came along and I had another 14 year run.
Ten years ago I also had a very difficult decision to make when we had (Carlo) Cudicini giving fantastic performances in Chelsea’s goal for many years. I had in my hands a 22-year-old goalkeeper I thought could be in Chelsea’s goals for years and years and years and this situation is quite similar.
In 2011, I had a big chip on my shoulder, and I felt like I had a lot to prove every time I went out there. It led to good performances, but sometimes backstage, I could be - not to the talent, but just in general - I could be angry.
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