A Quote by Emily Dickinson

For each ecstatic instant We must an anguish pay In keen and quivering ratio To the ecstasy. — © Emily Dickinson
For each ecstatic instant We must an anguish pay In keen and quivering ratio To the ecstasy.
Ecstasy is our very nature, not to be ecstatic is simply unnecessary. To be ecstatic is natural, spontaneous. It needs no effort to be ecstatic, it needs great effort to be miserable. That's why you look so tired, because misery is real hard work; to maintain it is really difficult, because you are doing something against the nature.
There is such a thing as everyday, ordinary, vulgar ecstasy; the ecstasy of anger, the ecstasy of speed at the wheel, the ecstasy of ear-splitting noise, ecstasy in the soccer stadium.
What is an "instant" death anyway? How long is an instant? Is it one second? Ten? The pain of those seconds must have been awful as her heart burst and her lungs collapsed and there was no air and no blood to her brain and only raw panic. What the hell is instant? Nothing is instant. Instant rice takes five minutes, instant pudding an hour. I doubt that an instant of blinding pain feels particularly instantaneous.
Its a fact of being in love that we often pay no attention whatsoever to the substance of what a lover says, while being intoxicated to ecstasy by the way it's said. I was in love with her eyes, but I didn't read them. I loved her voice, but I didn't really hear the fear & the anguish in it.
There sure are a lot of these 'instant' products on the market. Instant coffee, instant tea, instant pudding, instant cereal... instant dislike.
O woman! in our hours of ease Uncertain, coy, and hard to please, And variable as the shade By the light quivering aspen made; When pain and anguish wring the brow, A ministering angel thou!
The fine gifts of temperament and imagination which are essential to the production of true poetry are often accompanied by morbid sensibility. The soul capable of ecstasy and transport must pay its price in suffering; he who walks upon the heights must sometimes grovel in the dust.
Life has always taken place in a tumult without apparent cohesion, but it only finds its grandeur and its reality in ecstasy and in ecstatic love.
Any filmmaker, big directors, and I'm not dropping any names - I actually have couple names I want to say, but I will not - we have a ratio. Each thing you repeat, my ratio is one to four.Actually some people are ratio one to 34. I know couple directors, big directors, they are just shooting over and over.
The only trap I must beware not to fall into, is to think that each day is the same as the next. In fact, each morning brings with it a hidden miracle, and we must pay attention to this miracle.
There is a marvelous story of a man who once stood before God, his heart breaking from the pain and injustice in the world. "Dear God." he cried out, "look at all the suffering, the anguish and distress in your world. Why don't you send help?" God responded,"I did send help. I sent you." When we tell our children that story, we must tell them that each one of them was sent to help repair the broken world-and that it is not the task of an instant or of a year, but of a lifetime.
Young kids are taking Viagra, ecstasy. They even want instant sex.
So for a period of time each day, try to sit, without moving, without expecting anything, as if you were in your last moment. Moment after moment you feel your last instant. In each inhalation and each exhalation there are countless instants of time. Your intention is to live in each instant.
I feel often very close to the ecstasy and anguish which lie at the very heart of poetry - I am writing a lot.
I just started taking pictures, and it was - it was an instant love affair. It was just ecstatic.
Our religion is itself profoundly sad - a religion of universal anguish, and one which, because of its very catholicity, grants full liberty to the individual and asks no better than to be celebrated in each man's own language - so long as he knows anguish and is a painter.
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