A Quote by Emily Dickinson

They say that 'home is where the heart is.' I think it is where the house is, and the adjacent buildings. — © Emily Dickinson
They say that 'home is where the heart is.' I think it is where the house is, and the adjacent buildings.
I've always been an independent wrestler at heart. You say I haven't had a 'home' but a company is not a home, a house is a home, a family is a home and I have that.
Home sweet home. No place like home. Take me home, country roads. Home is where the heart is. But my heart is here. So I must be home. Clare sighs, turns her head, and is quiet. Hi, honey. I'm home. I'm home.
Every house where love abides And friendship is a guest, Is surely home, and home sweet home For there the heart can rest.
Don't say 'the White House wants.' Buildings can't want.
Home, Ms. Lane?” His deep voice was gently amused. “I have to call it something,” I said morosely. “They say home is where the heart is. I think mine’s satin-lined and six feet under.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
I don't think all buildings have to be iconic, but the history of the world has shown us that cultures build iconic buildings for their major public buildings.
The heart of Paris is like nothing so much as the unending interior of a house. Buildings become furniture, courtyards become carpets and arrases, the streets are like galleries, the boulevards conservatories. It is a house, one or two centuries old, rich, bourgeois, distinguished. The only way of going out, or shutting the door behind you, is to leave the centre.
The obsessive documentation is itself adjacent to hyper-consumption in our society. The desire to just have everything all the time and adjacent to that is - it might be a little hokey but - a certain loss of identity that then only gets sort of found or ascribed to these moments that are documented.
When you design someone's house, it's actually painful. I never say, "This house will be a total reflection of you and any defects in it will make you look defective." But people do expect their homes to be reflections of themselves. So what I say is, "Just pretend this is your eighth home. By then you won't care."
I don't think things necessarily should have a meaning. If stuff has a meaning then why do [writing] about it? If you're trying to say, 'Tall buildings are great' why not just leave it at that: "Tall buildings are great."
I think green buildings are extremely important but it's only part of the equation. A lot of people think that if I put a green building everything is going to be fine, but actually it's not just the green buildings we need, but green businesses, green governments, green economics. We have to extend the greening of buildings to our business and our lifestyles - that is the most important thing to do next.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
I'm very British at heart. When I come to England, I say I'm coming home, and then it's funny: when I leave England to go back to L.A., I also say I'm going back home.
I stood on the street, staring up at the most normal-looking house in the world. My house. I'd lived there my entire life. It was home. It was safe. It was haunted. The only other explanation was that I was demented. I couldn't say which I was rooting for.
Where is home? Home is where the heart can laugh without shyness. Home is where the heart's tears can dry at their own pace.
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